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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Resources • Palm Sunday (1962) 1

Jeff Ostrowski · April 7, 2017

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles.


PROCESSIONAL

Asperges is omitted.

There is a special ceremony & procession before Mass, described HERE.

FSSP.la choir will assemble in the choir loft, and setup as usual. Then, immediately before the opening rites, they go downstairs. The music required for FSSP.la is:

“Hosánna Fílio Dávid”

“Púeri Hebraeórum”

“Glória Laus”


AS THE PRIEST ENTERS   •   Sung by the men only.

“Ingrediénte Dómino”   •   Score   •   Mp3


INTROIT   •   Sung by the men.

PDF Score (Singer)


KYRIE ELEISON

We will sing #6995.

We also know a KYRIE with three sections: #3347, #3661, and #7332.


GLORIA IN EXCELSIS

The GLORIA is not said from Septuagesima Sunday until Easter,
except on Maundy Thursday, Holy Saturday, and Feast days.


GRADUAL & ALLELUIA

There is no Alleluia until Easter arrives.

As always, the verses are found in our Goupil Gradual books.


CREDO III   •   Alternatim

For the first time ever at FSSP.la, we will do Credo III from the Campion hymnals.

Does the 1955 Pius XII “Revised” Holy Week have a CREDO
on Palm Sunday?   Yes, it does.   That’s from a 1956 book by
Frederick R. McManus that deals with “The New Holy Week.”


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

#4063 “Te Saeculorum” (RAPHAËL MERCIER)


SANCTUS & HOSANNA

Choir members should be learning #6962 and #6926.

We also know #3496.


AGNUS DEI

We will sing #4347 by Du Fay.


COMMUNION OTHER

#3316 • Lenten Hymn “Herzliebster Jesu”


COMMUNION ANTIPHON   •   Sung by the ladies.

PDF Score (Singer)   •   Practice Audio (Singer)

Accompanied from the “color” markings posted on Saint Goupil, printed with a color printer.


RECESSIONAL HYMN   •   #837 O Sacred Head, Surrounded

From the Campion Hymnal.


CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

First Station: Jesus is Condemned to Death

Archbishop Fulton J. Sheen

We adore Thee, O Christ, and we praise Thee,
Because by Thy Holy Cross Thou hast redeemed the world.

Pilate, the time-serving politician, stepped forward on his sunlit portico. On his right stood Christ, the Just One who came to give His life for the redemption of many; on his left stood Barabbas, the wicked one, who had incited a revolt and taken a life. Pilate asked the mob to choose between the two: “Whether you will that I release unto you, Christ, or Barabbas”?

How would I have answered that question, had I been in the courtyard that Good Friday morning? I cannot escape answering by saying that the question belongs only to the past, for it is as actual now as ever. My conscience is the tribunal of Pilate. Daily, hourly, and every minute of the day, Christ comes before that tribunal, as virtue, honesty and purity. Barabbas comes as vice, dishonesty and uncleanness. As often as I choose to speak the uncharitable word, do the dishonest action, or consent to the evil thought, I say in so many words, “Release unto me, Barabbas,” and to choose Barabbas means to crucify Christ.

Pray for us, O Holy Mother of God,
That we may be made worthy of the promises of Christ.

O Jesus, many times in my life I have preferred Barabbas to Thee. There is no way that I can undo that choice, but to make my way to Thy feet, and beg Thy forgiveness. But that is so humiliating, for Thou wearest the garment of a fool, and Thou bearest in Thy hand the reed sceptre of a mock king. It is so hard to do penance and admit that I am guilty! It is so hard to be seen with Thee, who art wearing Thy crown of thorns. It is hard! But let me see, Jesus, that it is harder to wear the crown of thorns!


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Palestrina wrote two Masses in honor of the Blessed Virgin—one “a 6” before the Council of Trent, consequently with the tropes, and first published in 1570. In 1599 it was republished in Palestrina “Missarum Liber III” with the tropes removed, and in their place the liturgical words of the “Gloria” reiterated.

— Henry Coates

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