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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Did Vatican II Happen?

Jeff Ostrowski · September 29, 2016

977 Montini Gracida HY DID VATICAN II happen in the first place? The liturgical reforms were not a surprise, as we learn from this book by Bishop Gracida, who was ordained to the priesthood in 1959. I think it’s fair to say that a major reason was an attempt to achieve a higher degree of participatio actuosa, and that’s what I’m writing about today.

Consider the following pages from a Roman Catholic Hymnal (CANTIONES SACRAE, 440 pages) published in 1878 by Father Joseph Mohr:

    * *  PDF • “Cantica et Preces at Missam Privatam”

This was no fluke, as demonstrated by these pages from a 1913 American hymn book. The only difference is that Fr. Mohr’s prayers and hymns are in Latin, as they were intended for Jesuit colleges where the young men were learning Latin. 1

Again, these hymns would have been sung during Low Mass:

981 Fr. Joseph Mohr SJ


I don’t believe I’m alone when I say it seems jarring to see encouragement of hymn singing rather than joining with the priest in the actual prayers of the Mass. I feel that many bishops who voted for Sacrosanctum Concilium wanted to get away from this type of thing, because they wanted the congregation to pray along with (or sing) the actual liturgy.

THE GREAT IRONY, OF COURSE, is what happened after Vatican II. While the bishops had wanted to help the faithful enter more deeply into the ceremonies and prayers of the Mass, the complete opposite happened. These days, 99% of Catholic Masses include a bunch of songs that have nothing to do with the formularies of each feast. This was partially done because composers found out they could make money by substituting their own translations for the Church’s official ones. Another very damaging aspect was a decision by the USCCB Liturgy Committee, which ruled that the GIRM is not a binding document and can be ignored when it stipulates that permission is required to replace the Mass Propers. 2


FUN FACT : Until a certain year, priests attending papal audiences were required to wear a ferraiolo, and Bishop Gracida once described how he had to scramble desperately to obtain a black one before the photograph shown at the top.



NOTES FROM THIS ARTICLE:

1   Father Mohr explains that the prayers are for “youths acquainted with the Latin language” [juvenes latini sermonis gnari]. By the way, Fr. Joseph Mohr (1834-1892), a remarkable priest and musician, is treated extensively by Fr. Robert Skeris in Divini Cultus Studium (1990) beginning on page 162.

2   Some have even argued that obtaining permission from a bishop is virtually impossible and only a fool would be so silly as to try to follow the GIRM—but I’ve never found that argument plausible.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Worse, composers are now setting the introits of the missal [instead of the Graduale] to music, even to chant, though these texts were explicitly for spoken recitation only.”

— ‘Dr. William Mahrt (Fall, 2015)’

Recent Posts

  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

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