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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Power of Sacred Music

Andrew Leung · September 15, 2016

CTL The Power of Sacred Music ISITING THE SICK is a very important part of the ministry of a Catholic priest. Last Sunday, I visited the hospital with the bishop and seminarians of Macau. Fr. Law, a priest who was in the hospital for three weeks, is 83 years old and has been sick for 18 years. Fr. Law is a church historian and the dean of the cathedral chapter (canons, which, by the way, can only be found in two places in Asia: the Diocese of Macau and the Archdiocese of Manila).

We were told, before our visit, that Fr. Law wasn’t doing too well, he was loosing his memory and his mind was clouded. But that was not the case when we get to the hospital, he was awake and he recognized the bishop right away. He was very happy to see us and welcomed us with his beautiful smile. After a little bit of chatting, the bishop suggested that we, the seminarians, sing Salve Regina for him. Fr. Law was very excited about the singing and started to make the Sign of the Cross so that we can begin our prayer to the Blessed Virgin together.

The miracle happened after the Salve Regina. Fr. Law’s memory came back suddenly and he started to tell stories and sing pieces of music that he used to taught in the seminary. He was the Gregorian chant and choral instructor at St. Joseph Seminary in Macau. Once we started singing in the hospital room, we couldn’t stop singing. We sang Ecce Sacerdos in the presence of the bishop, how appropriate is that! When we got to Cesar Franck’s Panis Angelicus, father even started singing in harmonies.

I don’t usually post stories like this one on the blog, but I think this amazing experience is worth sharing. This experience of mine proved that true sacred music brings hope and joy to the sufferings. This story shows how music can be connected deeply with our minds and souls. Fr. Law was discharged from the hospital two days later and his mind was cleared up after singing with us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

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