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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do You Recognize This Hymn Tune?

Jeff Ostrowski · September 14, 2016

119 St. Robert Southwell HE JESUIT PRIEST and brilliant poet, Saint Robert Southwell, earned his crown of martyrdom at age thirty-three. 1 He left us beautiful verses, and the bravery he demonstrated during his life shows he believed what he wrote—to the very core of his soul. In the CAMPION HYMNAL, many of his religious texts were set to delightful music.

Here’s an example, which focuses on something we don’t like to think about, namely our sins:

This globe of earth doth thy one finger prop,
The world thou dost within thy hand embrace;
Yet all this weight of sweat drew not a drop,
Nor made thee bow, much less fall on thy face;
But now thou hast a load so heavy found,
That makes thee bow, yea fall flat to the ground.

(It’s the second verse of #826 in the Campion Hymnal.)

ONE MUST ALWAYS STRIVE to marry hymn texts to melodies with care and sensitivity. The following is a famous text by St. Robert Southwell, but do you recognize the tune?

121 Southwell MATERNA


It’s a beautiful tune, but I don’t think it could be used—because the association to something secular is (in my opinion) too strong.

Consider two more “grotesque” hymn pairings:

    * *  Example 1 • pairs an Easter text

    * *  Example 2 • pairs “At the Lamb’s High Feast.”

Were you able to discern the melodies?

WHILE POSTING THOSE VERSES by Saint Robert Southwell (SEE ABOVE) I stumbled upon something I published years ago. Now, you must understand that in general I’m a person who hates everything he’s ever done. I’m always embarrassed when I see my old writings or my old projects. This time, however, it was different. Believe it or not, I was spellbound by how good this particular project of mine came out—and I’d previously forgotten I was the author!

But I must say something else.

No matter how great our “accomplishments” are, they are nothing compared to what God does. Anyone who’s a parent, think about your children—how perfect they are. The way their bodies develop: ears; stomach; eyes; hair; feet; and so forth. And the way their little minds develop!

As parents, we had nothing to do with this; it’s 100% God. And no matter how much we develop, through practice and study, our creations are NOTHING compared to the perfections of the children God creates and entrusts to our care. God the Father was “well pleased” in His Son, and this should give parents something to meditate upon during their holy hours.



NOTES FROM THIS ARTICLE:

1   Please do read the beautiful words spoken by Fr. Hardon about St. Southwell.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

St Ambrose had to be “corrected” by Pope Urban VIII. The ‘Iste confessor’ was greatly altered and the hymn for the Dedication of a Church—which no one ought to have touched—was in fact completely recast in a new meter. Singular demand, made by the taste of that particular epoch!

— Re: The hymn revisions of Pope Urban VIII (d. 1644)

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