Views from the Choir Loft

Chief Reasons For Mass “Facing The People”

Jeff Ostrowski · September 10, 2016

ERY SOON, the Society for Catholic Liturgy will visit Los Angeles. This is the same group that publishes ANTIPHON (the journal). Doing research on this group, I came across an article by a former editor, Monsignor Francis Mannion, titled “Should Mass be celebrated with the priest facing away from the people?” Published by the INTERMOUNTAIN CATHOLIC on 2 September 2016, his article is a quick read:

* * PDF Download • Intermountain Catholic Article

Monsignor Mannion gives what he considers the three reasons for “versus populum” celebration:

What are the advantages with Mass facing the people?
(1) It makes for better communication between priest and people. (2) It avoids the sense that the people are an appendum to the priest’s liturgy. (3) Not least, we live in an age of democracy and respect for the individual, in which facing away from someone in any context is generally insulting.

His first reason is rather flimsy, because during an OF “ad orientem” celebration, 90% happens facing the people. Even in the Extraordinary Form, the priest turns around to face the people whenever he’s communicating with them.

His second reason also seems dubious, because it assumes the congregation would automatically think in a certain way. Besides, if everyone faces the same direction except the celebrant, that draws attention to him in an awkward way.

His third reason—which he labels “not least”—is something I never thought of:

Not least, we live in an age of democracy and respect for the individual, in which facing away from someone in any context is generally insulting.

Monsignor Mannion here asserts that Catholics in the pews in front of you are being rude, because they have their backs to you. Moreover, he is saying that you are being rude to the people in pews behind you, because you have your back to them.

I suppose if everyone were arranged in a circle, nobody would be looking at someone’s back. However, that would severely limit the number of people who could fit inside a church. More importantly, we still would not be facing the person next to us…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

PDF Download • Communion for Sunday

The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?

—Jeff Ostrowski

Season’s End Repertoire

Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.

—Jeff Ostrowski

PDF Download • “Funeral Procession”

From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!

—Jeff Ostrowski

PDF Download • “Anima Christi”

I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.

—Jeff Ostrowski

PDF • “Liturgical Law” (467 Pages)

On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!

—Jeff Ostrowski

“Gregorian Chant Quiz” • 24 March 2026

How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!

—Jeff Ostrowski

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)