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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Update on Sacra Liturgia Milano 2017

Fr. David Friel · November 27, 2016

LANS FOR Sacra Liturgia Milano continue to take shape. Building on the success of Sacra Liturgia proceedings in Rome (2013), New York City (2015), and London (2016), this gathering bills itself as an international conference on liturgical formation, celebration, and mission.

The conference will be held June 6-9, 2017, with presentations being given in the Aula Magna of the Catholic University of the Sacred Heart in Milan. All talks will be simultaneously translated in Italian and English.

Among the most interesting aspects of this symposium will be the accompanying liturgical celebrations, which will include both uses of the Ambrosian rite. Solemn vespers, led by His Eminence Dionigi Cardinal Tettamanzi, will open the conference. Liturgies will be held in the Basilica of St. Ambrose, the Metropolitan Cathedral, and another still-to-be-determined site.

Arrangements are being made for an organized afternoon of cultural visits, allowing participants to explore such places as the Bibliotheca Ambrosiana and the church of San Maurizio al Monastero Maggiore.

At this time, the impressive list of speakers includes: His Eminence Robert Cardinal Sarah, His Eminence Raymond Leo Cardinal Burke, Abbot Christopher Zielinski, Fr. Uwe Michael Lang, C.O., Dom Alcuin Reid, Prof. Jennifer Donelson, Msgr. Claudio Magnoli, Fr. Vincenze Nuara, O.P., Msgr. Timothy Verdon, Prof. Angelo Rusconi, Prof. Cesare Alzati, Msgr. Marco Navoni, Msgr. Ennio Apeciti, and Dr. Andrea Gramegna.

The conference website is set to launch in December, with registration opening by the end of January. In the meantime, the best way to stay informed of developments on Sacra Liturgia Milano 2017 is via their Facebook page.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Raymond Cardinal Leo Burke, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

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    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

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