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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Special “Gaudeamus” For 31 May

Jeff Ostrowski · May 7, 2016

HE FOLLOWING is a special version of the “Gaudeamus” (one of my favorite chants) and will be sung for a Solemn Mass offered by our District Superior on 31 May in Los Angeles. You are invited to attend, and we’d love to see you there.


If you visit the St. Goupil website, you can download the musical score.

Some believe the “translation mess” is the result of Vatican II, but that’s not entirely true. In the 1940s, Pope Pius XII approved a new translation of the Psalter for use in the Divine Office. As far as I know, he didn’t approve new antiphons, so the clerics would use one translation for the antiphon and another for the psalm, even when the psalm contained the antiphon. I’ve spoken to many priests (ordained in the 1940s and 1950s) who have a very low opinion on the Pius XII psalter. To them, it was an artless “piece of garbage” that had no value. My understanding is that Pius XII never imposed this new translation on the Church.

What’s interesting is that the feast of the Queenship of the Blessed Virgin Mary—created in the 1950s—replaces the psalm verse for “Gaudeamus” with the Pius XII translation. It’s strange to modify such an ancient chant. Moreover, when that same verse is used for the votive Mass, they did not change it:

521 31 May GAUDEAMUS


Nobody has been able to explain why they would change the verse in one ancient chant but not the other. In early February, I emailed several priests about this topic. 1 Here’s a response by one:

Dear Jeff:

Stranger things have happened, and are happening. Years ago I wrote to the Sacred Congregation for Divine Worship and Discipline of the Sacraments, asking them why the Gospel for the Last Sunday of Pentecost (Matthew 24: 15-35) was nowhere to be found in the NOVUS ORDO lectionary. Believe me, it isn’t there. They eventually wrote back and agreed with me, saying that I was right and that it might possibly be included in some future edition of the lectionary. So far I don’t think this has happened.

Also, I Corinthians 11: 27-29 (about receiving the Eucharist unworthily) is not found in the NOVUS ORDO lectionary! Is it any wonder that so many Catholics go to Communion, but never go to confession?

With regard to your original question, I know they tried to use the Pius XII psalter for new Feasts, e.g. the feast of St. Pius X.

Here’s how the feast appeared in a Solesmes book from 1957. Notice the antiphon for II Vespers is “Beata Mater,” which is the cantus firmus for our 31 May Solemn Mass.



NOTES FROM THIS ARTICLE:

1   All of them were ordained in the 1950s and all have advanced degrees in Latin.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sacred Music Symposium Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

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