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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Guardian of the Sacred Tradition in the South

Andrew Leung · May 26, 2016

CTL A Guardian of the Tradition in the South WILL BE PRESENTING at two conferences this summer and I am really excited to share my gifts with others. I am so thankful that God gives me the ability to praise him with music and I am so blessed to have experienced the Church’s music, the most powerful music in the world.

The first conference sponsored by the Tridentine Mass Community will be held in Hong Kong in July and the second one will be held at the Basilica of Sts. Peter and Paul in Chattanooga, TN, from July 22 to July 23. Both of these places have a very special place in my heart: Hong Kong is where I grew up and started my musical training. When I first learned Gregorian chant, the schola members of the Tridentine Mass Community were very kind and let me sing with them. It was through those practical experience that I became a more confident and proficient cantor.

The Basilica in Chattanooga is truly a guardian of the Sacred Tradition. They are one of the few that offer traditional liturgies and music. They also have a very active faith formation program. The basilica is where I go relax, pray and sing with friends when I was working in Georgia. They offer a weekly Low Mass in the Extraordinary Form and a monthly Missa Cantata in the afternoon on the fourth Sunday of the month, which is perfect for someone like me who works in a parish all morning. I love the Latin Mass and it really has helped me a lot in my spiritual life. I am so glad that the Basilica offers them because it’s hard to find them in the South. In my experience, their liturgies are celebrated very reverently. Their Masses are always well-attended and people participate actively. There are some instructions given to the visitors and those who are new to the Traditional Latin Mass to help them participate both internally and externally. The congregation is “trained” in making responses and following the different postures during the Mass.

The Sacred Music Program at the Basilica of Sts. Peter and Paul is a vibrant one. I am very excited to go back for the Summer Sacred Music Workshop II that they will be hosting this July. The church itself is a beautiful space and it has the perfect acoustic for choral singing. I am looking forward to play their beautiful pipe organ again and hear the Basilica Choir, and hopefully their children’s choir too.

We have invited Dr. Jennifer Donelson to be our plenary speaker this year. She is an expert in Gregorian chant and I really enjoyed her chant breakouts at the last Colloquium. Also, Mr. Bruce Ludwick from the Cathedral of St. Paul in Birmingham, AL, is the newest addition to our faculty. Bruce is the famous organist who accompanied Fauré’s Requiem at the Colloquium 2015 in Pittsburgh and Mother Angelica’s funeral at the Shrine of the Most Blessed Sacrament. He will be our organ instructor and offering advice to any participant who might be interested in learning more about the “King of the Instruments”.

If you are interested in joining us for the Summer Sacred Music Workshop II, you may register now!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In particular, today we must remember that our liturgy—celebrated according to the books promulgated by Saints Paul VI and John Paul II—must be preserved from any element from the ancient forms.”

— Bishops of Costa Rica —Hat tip to ‘Catholic Arena’

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  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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