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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Guardian of the Sacred Tradition in the South

Andrew Leung · May 26, 2016

CTL A Guardian of the Tradition in the South WILL BE PRESENTING at two conferences this summer and I am really excited to share my gifts with others. I am so thankful that God gives me the ability to praise him with music and I am so blessed to have experienced the Church’s music, the most powerful music in the world.

The first conference sponsored by the Tridentine Mass Community will be held in Hong Kong in July and the second one will be held at the Basilica of Sts. Peter and Paul in Chattanooga, TN, from July 22 to July 23. Both of these places have a very special place in my heart: Hong Kong is where I grew up and started my musical training. When I first learned Gregorian chant, the schola members of the Tridentine Mass Community were very kind and let me sing with them. It was through those practical experience that I became a more confident and proficient cantor.

The Basilica in Chattanooga is truly a guardian of the Sacred Tradition. They are one of the few that offer traditional liturgies and music. They also have a very active faith formation program. The basilica is where I go relax, pray and sing with friends when I was working in Georgia. They offer a weekly Low Mass in the Extraordinary Form and a monthly Missa Cantata in the afternoon on the fourth Sunday of the month, which is perfect for someone like me who works in a parish all morning. I love the Latin Mass and it really has helped me a lot in my spiritual life. I am so glad that the Basilica offers them because it’s hard to find them in the South. In my experience, their liturgies are celebrated very reverently. Their Masses are always well-attended and people participate actively. There are some instructions given to the visitors and those who are new to the Traditional Latin Mass to help them participate both internally and externally. The congregation is “trained” in making responses and following the different postures during the Mass.

The Sacred Music Program at the Basilica of Sts. Peter and Paul is a vibrant one. I am very excited to go back for the Summer Sacred Music Workshop II that they will be hosting this July. The church itself is a beautiful space and it has the perfect acoustic for choral singing. I am looking forward to play their beautiful pipe organ again and hear the Basilica Choir, and hopefully their children’s choir too.

We have invited Dr. Jennifer Donelson to be our plenary speaker this year. She is an expert in Gregorian chant and I really enjoyed her chant breakouts at the last Colloquium. Also, Mr. Bruce Ludwick from the Cathedral of St. Paul in Birmingham, AL, is the newest addition to our faculty. Bruce is the famous organist who accompanied Fauré’s Requiem at the Colloquium 2015 in Pittsburgh and Mother Angelica’s funeral at the Shrine of the Most Blessed Sacrament. He will be our organ instructor and offering advice to any participant who might be interested in learning more about the “King of the Instruments”.

If you are interested in joining us for the Summer Sacred Music Workshop II, you may register now!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“How can we account for differences in the Gospel accounts? Well, suppose after we left Church today, there was a terrible accident or explosion or fire. Soon the news media would be here, interviewing people as to what they saw or heard. Each person would probably say or report what struck him—or what he saw or noticed. All these reports would be different and yet they would be true.”

— Fr. Valentine Young (February 2019)

Recent Posts

  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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