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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Regina Chesterton Academy

Fr. David Friel · May 1, 2016

IBERAL ARTS education is an interest of mine. I would describe my own philosophical studies in the college seminary as essentially a liberal arts education—a gift for which I am most grateful. The virtues of this type of education are not always appreciated, but they are real, as I have considered here and here.

There is a new and rather exciting initiative in my area. Beginning in Fall 2016, the Regina Chesterton Academy will operate as a classical education track within Cardinal O’Hara High School (one among a large network of archdiocesan Catholic high schools in Philadelphia).

For a number of years already, the Regina Academies have been serving elementary students at four locations in the greater Philadelphia area (Ardmore, Abington, Downingtown, and Ottsville). Originally founded in 2003 by a group of lay Catholics, the Academies have experienced significant growth. The motto of the Regina Academies is Domine, ut videam (“Lord, that I may see”).

Contemporary America prizes diversity in certain areas, but not always in the realm of education. According to Cardinal O’Hara President, Mr. Tom Fertal, a desire for authentic educational diversity helped to inspire this undertaking. He explains:

Education, of course, is not a one-size-fits all proposition. We do our best to approach it from the perspective of what is most instructive for each and every student and his or her gifts. This will be the kind of unique program that a number of our parents have been asking for. As it will be deeply rooted in our authentic Catholic tradition, it is a program that also fits the mission of the Office of Catholic Education of the Archdiocese of Philadelphia: to “prepare saints for life in this world and in the next.”

This new program of the Regina Academies will utilize a curriculum first developed by the Chesterton Academy in Edina, Minnesota. Teachers will lead Socratic-style classroom discussions about primary works by authors in such fields as logic, rhetoric, math, science, philosophy, art, music, drama, Latin, and Greek.

For more information, see the website of the Regina Academies.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Passing on Tradition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

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  • Simplified Accompaniment (Advent Hymn)
  • Pope Leo XIV on Sacred Music
  • (5 Dec. 2025) • Pope Leo XIV Speaks on Liturgical Music
  • PDF • “Music List” (Immaculate Concep.)

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