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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Promoting a Good Choral Culture at Your Parish

Andrew Leung · March 31, 2016

CTL Promoting a Good Choral Culture at Your Parish HE LORD IS RISEN! Alleluia! I hope everyone had a blessed Holy Week. I had a very prayerful Sacred Triduum. All the liturgies at my parish went very smoothly. Some of you might already know, the parish I am assigned to for my pastoral year does not have a regular choir. We have a pretty developed cantor program, but our choir only sings twice per year, once for Christmas and once for the Triduum. I guess we don’t really have a choral culture here.

This Holy Week, I started a new Schola for the parish. It was very successful and we had many compliments from the parishioners and the clergy. There were seven singers in the schola and we learnt two pieces for the liturgies. I would like to share the two live recordings of our singing, even though they are not professional recordings. For a group that sang together in front of people the first time and only having half-hour-rehearsals for four times, I thought we did pretty well.


* *  Mp3 Audio File — Dubois’s Adoramus te, Christe


* *  Mp3 Audio File — Lotti’s Regina Caeli


Nothing is impossible with God! It is possible to introduce a good choral culture to a parish that is not familiar with any choir. The key is to be hopeful and communicate with others, especially with the singers and the pastor. It is important to begin a choir with a small group of core members singing a simpler repertoire. As the music program develops, it will attract more people to join and the choir can work on some more complex pieces.

CTL Promoting a Good Choral Culture at Your Parish Schola NOTHER WAY to promote a good choral culture at a parish is to invite guest artists to perform. Thanks to Msgr. Kurt Kemo, my pastor, Mark Dougherty, our church organist, and Prof. Nicholas Will, the director of the Franciscan University Schola, we are able to have the university’s schola to sing the 4:30pm Mass next Saturday. The Schola Cantorum Franciscana will be singing at the Ordinary Form Mass for the Third Sunday of Easter followed by a concert. The repertoire will include Gregorian Chant, Renaissance Polyphony and a few organ pieces played by the organ students. Inviting guest artists for special Masses or concerts is an excellent way to promote the choral culture. It increases the interest of the singers and help the faithful to appreciate in choral music. If you live around the Steubenville area, please join us for the 4:30 Sung Mass followed by a concert on April 9 at Blessed Sacrament Church, Wintersville, OH.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Second Vatican Council has not been treated as a part of the entire living Tradition of the Church, but as an end of Tradition, a new start from zero. The truth is that this particular council defined no dogma at all, and deliberately chose to remain on a modest level, as a merely pastoral council; and yet many treat it as though it had made itself into a sort of superdogma which takes away the importance of all the rest.”

— Cardinal Ratzinger (speaking formally as head of the CDF)

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  • Extreme Unction
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