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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Liturgy Shaming”

Jeff Ostrowski · March 14, 2016

673 liturgy shaming image OR SEVERAL WEEKS, various liturgical blogs have been commenting on an article by William Bornhoft against “online liturgy shaming.” It’s important to realize that Mr. Bornhoft is on record with hysterical statements 1 that disqualify him from speaking about the liturgy. He has also written the following about Catholics who appreciate Mass in the Extraordinary Form:

Anyone interested in seeing the Catholic faith thrive in the world, rather than be ignored, should be concerned about a generation of Catholics who oppose reforms that the vast majority of Cardinals supported 50 years ago.

So much is wrong with that statement! For example, Vatican II never approved any liturgical changes. The Council approved principles—such as the preservation of Latin (a mandate not a suggestion) and the primacy of Gregorian chant—and we’ve seen how the wishes of the Council were ignored. Indeed, when Michael Cardinal Browne warned that Latin might disappear entirely if the vernacular was allowed, the fathers of Vatican II famously roared with laughter at such a suggestion. 2

When we consider the crisis in the Church, it would be difficult to imagine a subject less worthy of attention than “liturgy shaming.” Consider the thirty-five members of my choir here in Los Angeles. Not one of them would even know what “liturgy shaming” refers to. They are focused on trying to get closer to our Lord, raising their children properly, avoiding sin, praying, and doing spiritual & corporal works of mercy. They don’t go to sleep at night worried about people disseminating videos of public liturgies.

Moreover, Bornhoft’s thesis has major fallacies. For example, some have pointed out that “a process” also exists for reporting police violence (think “Rodney King”). Yet, which of us would assert that police videos should be kept private? Sharing such videos does not obliterate the process in place. This analogy—while not perfect—is worthy of consideration.

MANY ONLINE HAVE COMMENTED in favor of Bornhoft’s article, and keep telling potential liturgy shamers to “mind their own business.” However, they fail to realize they’re partaking in the very thing they profess to deplore! They’re typing on the internet in an effort to stop something they dislike, rather than addressing the perpetrator directly.

Indeed, Mr. Bornhoft is not in a position to tell others to “mind their own business.” Consider his internet article attacking a tiny minority of the Catholic Church (my family included) who simply want to be left in peace.

Perhaps “liturgy shaming” would be appropriate in this instance. In the past, I have advocated contacting bishops directly with letters like this … but that doesn’t seem to be working! I suspect liturgy shaming would reveal that “tacit approval” is actually “imaginary approval.”



NOTES FROM THIS ARTICLE:

1   My wife and I are both millennials who appreciate the Traditional Latin Mass. Consider what Mr. Bornhoft has written about us:

I appreciate TLM Millennials as strong advocates for better adherence to Catholic teaching, whether it’s fasting before mass, showing more reverence towards communion, or engaging in regular confession. But their views on the liturgy, and reform in general, are misguided and threaten to intensify divisions within the Church. Whether they realize it or not, TLM Millennials are not on the side of orthodox Catholicism. They are at odds with the teachings of the Catholic Church.

I’m not offended by such words, because Mr. Bornhoft clearly craves attention—and vile words like those have obtained for him that which he craves!

2   Notice that Mr. Bornhoft refers us to something that happened 50+ years ago to keep us “current”—whereas Summorum Pontificum was issued in 2007, and Universae Ecclesiae came in 2011.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgy Shaming Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

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