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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

First Instance of “Alius Cantus Aptus”

Jeff Ostrowski · June 21, 2016

HE HOLY WEEK REVISIONS of Pope Pius XII could be looked at as the beginning of liturgical deformation that would happen later. 1 This was true for a variety of reasons. For example, it introduced the notion—which was quite serious—that a committee could get together for meetings, “fix” the liturgy, then impose these changes on the entire church. Before that point, the Church had basically allowed the liturgy to grow organically. Another key concept was introduced which we’ve mentioned numerous times: ALIUS CANTUS CONGRUUS. László Dobszay referred to alius cantus as “anthrax in the envelope” of post-conciliar decrees.

This is not to say there were no choices whatsoever involved in the Tridentine Mass. If you look carefully, you will occasionally find a tiny little option here or there—but this has nothing to do with replacing the Propers 99% of the time, which is the situation in most Ordinary Form churches and contradicts what Vatican II wanted.

Anyhow, buried in one of the pages of the ORDO HEBDOMADAE SANCTAE we find this rubric:

248 Ordo Hebdomadae Sanctae ALIUS CANTUS


Nihil impedit, quominus cantetur a fidelibus hymnus Christus vincit, vel alius cantus in honorem Christi Regis. Translated into English, that means:

“The faithful may also sing the hymn CHRISTUS VINCIT or any other chant in honour of Christ the King.”

That’s the first time I know of “alius cantus aptus,” which would become the favorite phrase of the Consilium. In English, it means “anything else appropriate.”

AS FAR AS THE OFFICIAL BOOKS ARE CONCERNED, the liturgical progressives lost the battle over Mass facing the people. The Ordinary Form rubrics assume that priest & congregation will face the same direction for certain parts of the Mass. Robert Cardinal Sarah—appointed by Pope Francis as prefect of the CDW—recently confirmed this:

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people.”

However, they eventually won the “alius cantus” battle, at least in terms of what is allowed by the rubrics.

N.B. Two other random facts: Kyrie IX is assigned as an option for Holy Thursday. (I knew about Kyrie IV, but not Kyrie IX.) Also, the monastic version of the ORDO HEBDOMADAE SANCTAE is 500 pages long!



NOTES FROM THIS ARTICLE:

1   Before he died, Archbishop Bugnini himself admitted this, calling it “the first breach.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Alius Cantus Aptus, Alius Cantus Congruus Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“What matters is to prefer God to all else; to be ready to sacrifice all, rather than commit one sin.”

— Cardinal Merry Del Val (shortly before his death)

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