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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jungmann’s Remarkable Statement About The Mass Propers In 1964

Jeff Ostrowski · February 9, 2014

814 pius ii mantua Pope Pius II at the Congress of Mantua ROM A HISTORICAL PERSPECTIVE, László Dobszay has demonstrated that it’s incorrect to assume each Mass has its own “theme.”  Even more erroneous is the notion that the Readings historically played the largest role in determining this “theme.”  From a theological perspective, Fr. Deryck Hanshell has said:

In the name of the reform there has been a tendency to equate the “theme” of the Mass with the theme to be derived from the readings. This is a misunderstanding of the nature of the Mass, in which the liturgy of the word leads up to and is subordinate to the liturgy of the sacrifice. In every Mass there is properly speaking one theme and one theme alone: the theme of the paschal mystery, of the death and resurrection of Christ.

I had previously assumed that Fr. Josef Jungmann was aware of these two basic realities, so I was shocked to discover something he wrote in 1964:

Very often the Propers are not particularly apposite, bearing a particular reference neither to the rest of the Mass formula nor to the relevant part of the action of the Mass. In short, they need reforming.

The entire article is available at the following link:

      * *  “Liturgy and Congregational Singing” (1964) — Fr. Josef A. Jungmann, SJ

Did you notice the horrible error made by Editor, by the way? He accidentally typed “OPPOSITE” instead of “APPOSITE”. Needless to say, there’s a huge difference! (For the record, Msgr. Schmitt often joked about how sloppy an editor he was.)

Anyway, getting back to that quote … it’s appalling! In essence, Jungmann is saying:

“I’ve decided that each Mass has a theme. If the ancient Propers don’t match the theme I’ve invented, let’s change them. Let’s ignore the incredible history of these prayers, which have been used for approximately 1,600 years.”

The spoken Propers were, in fact, radically reformed in the wake of the Second Vatican Council, but the Sung Propers were left largely untouched. The reformers also annihilated most of the Collects, perhaps because they didn’t sufficiently match the “theme.” Dr. Lauren Pristas wrote a book about this, which I mention in my article, “Bugnini wanted to get rid of Ash Wednesday.”

I challenge you to carefully read that quote by Jungmann several times. What he’s putting forth shows a total misunderstanding of the Church’s liturgical life. I realize this is a serious allegation, but I cannot see any other possible conclusion.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers, Mass Propers Proprium Missae Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

Oh, what sighs I uttered, what tears I shed, to mingle with the waters of the torrent, while I chanted to Thee, O my God, the psalms of Holy Church in the Office of the Dead!

— ‘Isaac Jogues, upon finding Goupil’s corpse (1642)’

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