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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Victoria Alleluia • Extraordinary & Ordinary Form

Jeff Ostrowski · July 26, 2016

VEN THOUGH VATICAN II COUNCIL mandated that Latin be preserved—inserting specific language that was no mere “recommendation”—many priests have forbidden their choir directors from singing in Latin, which means 98% of the sacred treasury mentioned by Vatican II can’t be used. Cardinal Antonelli, the first secretary of the Consilium, has affirmed that Latin should have been preserved.

Inexplicably, these same priests usually do permit other foreign languages to be used at Mass, such as Greek (Kyrie Eleison) and Hebrew (Alleluia, Hosanna). Cardinal Antonelli’s successor, Archbishop Bugnini, tried to eliminate AMEN, which he described as a “meaningless sound.” However, in a very unusual move, the Sacred Congregation of Rites overruled the Consilium, and AMEN was retained in our liturgy. 1

To summarize, musicians need not worry about their priest getting angry when they sing ALLELUIA before the Gospel. Here’s a beautiful version based on the “Ave Maris Stella” plainsong:

* *  PDF Download • ALLELUIA by Fr. Tomás Luis de Victoria

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio

At our EF Mass, we always sing a polyphonic Alleluia, then our ladies sing the verse, then we repeat the polyphonic Alleluia. The same could be done in OF Masses, but some priests might insist upon having the congregation sing “Alleluia.” If that’s your situation, do it like this:

(1) Cantor intones the following (from the Graduale Simplex):

289 Graduale Simplex ALLELUIA
(2) Entire congregation repeats the Alleluia.

(3) Choir sings the verse, according to the mode in the polyphonic score (see above).

(4) Everyone repeats the Simplex Alleluia, but at the end, the choir sings the polyphonic “extension” where the blue arrow is.

 

 


NOTES FROM THIS ARTICLE:

1   One of the letters sent in opposition said: “Furthermore, the proposal to change the AMEN is illogical, because those who wish to translate AMEN into the vernacular wish to maintain intact the word ALLELUIA.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Alleluia Polyphonic Extension Last Updated: March 23, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

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