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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Summer Sacred Music Workshop • This Weekend!

Andrew Leung · July 21, 2016

CTL Workshop Is Here HE WORKSHOP is finally here. The Summer Sacred Music Workshop 2016 will be held at the Basilica of Saints Peter and Paul in Chattanooga this weekend, from Friday afternoon to Saturday evening. Information including the full schedule of this year’s workshop can be found on the official website of Southeastern Sacred Music. I am sad to inform everyone that I won’t be able to attend this workshop. I will stay in touch with the faculty members and post a report about the event later. I am also hoping to release here, on Views from the Choir Loft, the two plenary talks: “The Spiritual Fruits of Gregorian Chant” by Dr. Jennifer Donelson and “The Revolution of Obedience” by Fr. David Carter.

Everyone is invited to join the Solemn Vespers at the basilica at 7pm on Friday. Fr. Samuel Weber, OSB, has been commissioned to develop the program for this Sung Vespers. It will be premiered on the very first Feast of St. Mary Magdalene.

Following Vespers, there will be an organ recital featuring four talented organist: Joseph D’Amico, Bruce Ludwick Jr., Ericka McCarty and Andrea Tierney. This organ recital will showcase the basilica’s historic pipe organ as the King of Instruments of sacred music. A range of musical styles and levels of difficulty will be presented, as an inspiration for all parishes and aspiring organists. There is also an “Open Mic” opportunity for organists attending the workshop.

The Closing Mass at 4pm on Saturday is also open to the public. The Sung Mass will be offered in the Ordinary Form of the Roman Rite by Fr. David Carter, the rector of the basilica. The music, including the Propers, Gregorian Ordinaries and two motets, will be provided by the participants.

Don’t miss these events and the basilica’s holy door if you are in the area! Please keep all the attendees in your prayers, for safe travels and fruitful experience.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“If a pope were only ever applauded, he would have to ask himself whether or not he was doing things right.”

— Pope Emeritus Benedict XVI (2016)

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