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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reflections on the Change of the Mandatum Rite

Guest Author · January 25, 2016

825 Washing Feet HOLY THURSDAY HE VATICAN BOLLENTINO website has posted a letter from our Holy Father Francis to Cardinal Sarah, the Prefect of the Congregation for Divine Worship and Discipline of the Sacraments, and a relevant decree.

In gist, the decree rules that—as requested by Holy Father—the Congregation has changed the rubrics for the Mandatum on Holy Thursday described in the Missale Romanum, from “Viri selecti (the chosen men) deducuntur a ministris…” to “Qui selecti sunt ex populo Dei (those who are chosen amongst the People of God) deducuntur a ministris…”, meaning that women can be chosen to participate in the Mandatum rite.

In view of practice, these change rubrics does not create much impact. After all, many parishes in Hong Kong, where I live, have been having women in the Mandatum rite for a long time. The only difference is that parishes in the past did so in contradiction of the rubric, and now they are approved to do so. I believe this applies to many other parishes all around the globe too.

But in view of Liturgy itself, I believe this change in rubrics to be similar to allowing female altar servers. In my view, it is a change caused by the hardening of our heart and a departure from the liturgical tradition. It does not bring any benefits to the faithful. The Mandatum rite originally represented our Lord washing the feet of the Apostles; not just any disciples, but twelve male Apostles chosen by him. Our Lady was not there; nor was Mary Magdalene. 1 The change in the Mandatum rubric, however, is weakening this message the rite was trying to convey.

The Mandatum rite itself is only optional in the Holy Thursday liturgy. The celebrant can still decide whether he would include the rite in his Holy Thursday liturgy and can safely omit the Mandatum rite for whatever reasons he thinks fit. Moreover, the celebrant can still choose, according to the tradition, twelve men to participate in the Mandatum rite. Just as female altar servers are allowed, the celebrant can still select people he deems appropriate—such as males only—to serve his Mass. The same rule applies to the Mandatum rite.

As a lay Catholic, I accept this rubric change with obedience and charity toward the Holy Father, yet at the same time I am still pondering how the guidelines in the Sacrosanctum Concilium for the Liturgical reformation is carried out:

That sound tradition may be retained, and yet the way remain open to legitimate progress careful investigation is always to be made into each part of the liturgy which is to be revised. This investigation should be theological, historical, and pastoral. Also the general laws governing the structure and meaning of the liturgy must be studied in conjunction with the experience derived from recent liturgical reforms and from the indults conceded to various places. Finally, there must be no innovations unless the good of the Church genuinely and certainly requires them; and care must be taken that any new forms adopted should in some way grow organically from forms already existing. (SC n.23)

We hope you enjoyed this guest article by Michael Chan, who contributes to a Hong Kong Catholic Blog. He is also a member of the Schola Cantorum of the Hong Kong Latin Mass Community.




NOTES FROM THIS ARTICLE:

1   At least, as far as I can tell from what is written in the Holy Gospel.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)

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