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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reflections on the Change of the Mandatum Rite

Guest Author · January 25, 2016

825 Washing Feet HOLY THURSDAY HE VATICAN BOLLENTINO website has posted a letter from our Holy Father Francis to Cardinal Sarah, the Prefect of the Congregation for Divine Worship and Discipline of the Sacraments, and a relevant decree.

In gist, the decree rules that—as requested by Holy Father—the Congregation has changed the rubrics for the Mandatum on Holy Thursday described in the Missale Romanum, from “Viri selecti (the chosen men) deducuntur a ministris…” to “Qui selecti sunt ex populo Dei (those who are chosen amongst the People of God) deducuntur a ministris…”, meaning that women can be chosen to participate in the Mandatum rite.

In view of practice, these change rubrics does not create much impact. After all, many parishes in Hong Kong, where I live, have been having women in the Mandatum rite for a long time. The only difference is that parishes in the past did so in contradiction of the rubric, and now they are approved to do so. I believe this applies to many other parishes all around the globe too.

But in view of Liturgy itself, I believe this change in rubrics to be similar to allowing female altar servers. In my view, it is a change caused by the hardening of our heart and a departure from the liturgical tradition. It does not bring any benefits to the faithful. The Mandatum rite originally represented our Lord washing the feet of the Apostles; not just any disciples, but twelve male Apostles chosen by him. Our Lady was not there; nor was Mary Magdalene. 1 The change in the Mandatum rubric, however, is weakening this message the rite was trying to convey.

The Mandatum rite itself is only optional in the Holy Thursday liturgy. The celebrant can still decide whether he would include the rite in his Holy Thursday liturgy and can safely omit the Mandatum rite for whatever reasons he thinks fit. Moreover, the celebrant can still choose, according to the tradition, twelve men to participate in the Mandatum rite. Just as female altar servers are allowed, the celebrant can still select people he deems appropriate—such as males only—to serve his Mass. The same rule applies to the Mandatum rite.

As a lay Catholic, I accept this rubric change with obedience and charity toward the Holy Father, yet at the same time I am still pondering how the guidelines in the Sacrosanctum Concilium for the Liturgical reformation is carried out:

That sound tradition may be retained, and yet the way remain open to legitimate progress careful investigation is always to be made into each part of the liturgy which is to be revised. This investigation should be theological, historical, and pastoral. Also the general laws governing the structure and meaning of the liturgy must be studied in conjunction with the experience derived from recent liturgical reforms and from the indults conceded to various places. Finally, there must be no innovations unless the good of the Church genuinely and certainly requires them; and care must be taken that any new forms adopted should in some way grow organically from forms already existing. (SC n.23)

We hope you enjoyed this guest article by Michael Chan, who contributes to a Hong Kong Catholic Blog. He is also a member of the Schola Cantorum of the Hong Kong Latin Mass Community.




NOTES FROM THIS ARTICLE:

1   At least, as far as I can tell from what is written in the Holy Gospel.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

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