Views from the Choir Loft

Angelus Bells and the Raspberry Pi

Veronica Brandt · January 23, 2016

RASPBERRY PI is a small, cheap, British computer. Consisting of a credit card sized motherboard with usb ports, hdmi output, headphone jack and micro usb powered, it is a hobbyist’s delight with many, many possibilities. I’ll put the link to more about this fantastic gadget at the end of this article – don’t jump there yet though! I want to show you what I put together first.

I use mine as a little webserver that can be left on all the time as it is silent and doesn’t use much electricity. That’s why you can see the Wi-Pi dongle in the photo, but it’s not integral to this project.

Today I decided to use it to ring a bell for the Angelus three times a day. We are in the habit of saying the Angelus at noon, but 6am and 6pm are harder to remember.

First thing was to settle on a good chime. Searching for Carillon recordings I did find this collection, but they were all too ornate for a simple Angelus bell.

Another handy gadget I have is a midi controller. Using some synthesizer software called Grand Orgue and a sampled Carillon I was able to generate these short recordings:

* * The beginning of the Gregorian antiphon Ave Maria

* * The beginning of Sub Tuum Praesidium

Then to get the computer to run these I used a feature of most Linux/Unix systems called cron and a program called mpg123 – a command line mp3 player. There is probably a way to do something similar on other computers or even mobile devices.

These might also make great ring tones!

In the meantime, you may like to read more about the Raspberry Pi.

UPDATE: More recordings from Cologne and France

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

Dom Pothier • Photo from 1904

Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠

—Jeff Ostrowski

PDF • “3-Voice Motet” (Father De Laet)

I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.

—Jeff Ostrowski

PDF Download • “Hymn for 2 Voices”

Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.

—Jeff Ostrowski

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

“Reminder” — Month of January (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski