• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Are you Praying the Mass?

Andrew Leung · February 18, 2016

CTL Prayer in the Liturgy AST WEEK, I wrote about the Three Common Misconception about Chant and most people seem to agree with my observations. In that post, I mentioned “a deeper problem that has to do with ‘prayer’” since people complain about not being able to participate externally. I thought it would be appropriate to write a reflection on “Prayer and Liturgy”, especially at the beginning of this sacred season of Lent. This is a topic that comes up frequently in my conversations with my spiritual director.

My spiritual director, whose name I will keep private, is a very holy priest in his late 70s. He is the “Latin Mass Guru” in our diocese and he celebrates both Forms of the Mass regularly. He started his seminary formation before the Council and was ordained in 1964. He is one of the few of his generation who never gave up wearing the cassock in public. He is a very wise and inspiring priest. I love discussing liturgical questions with him because he knows exactly what happened before, during and after Vatican II.

There are many articles that deal with problems of the liturgy nowadays; I have written some of them myself. People write about the orientation of the celebration, the language we use in our Worship, the Old Mass and the New, etc. However, I believe the root of all the problems we see nowadays is the understanding of prayer. People do not know how to pray! Here are a few quotes from my wise spiritual director on prayer and the liturgy:

“The changes that the Council Fathers made to the liturgy were meant to help people to pray better. However, the outcome is not what they wanted.”

“It is our fault. It was us, my brother priests and I, who stopped those little old ladies from praying the rosary at Mass. They actually know how to pray.”

“In order for the people to appreciate the Church’s music, they must first learn how to pray.”

I can’t agree with him more. We must learn to enter into deep interior prayers. Prayers are our conversations with God. There are many forms of prayer. Physically doing, or saying, or singing something are ways of praying. Many people come to Mass to enjoy homilies, to sing songs and to focus on “what they can do”. These are all good ways to participate, but they are exterior and superficial. We need to listen to God so that we can have deep conversations with Him. We need to learn to meditate in silence, and eventually in melismatic chant. Maybe one thing we can do during this Lent is to stop criticizing the homilies, music and the tiny mistakes that happen at Mass, and focus more on the Body and Blood of Christ on the altar.

Finally, I would like to end with a remark that I often hear from my spiritual director when he thanks me for singing his Masses:

“The music was beautiful. It was beautiful because I can hear that you were praying.”

Are you praying the Mass? When you sing, are you praying?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

Recent Posts

  • My Ode to Kevin Allen
  • Music List • (3rd Sund. Ordinary Time)
  • PDF Download • “Tantum Ergo” for 3 Voices (Kevin Allen) Paired with a Hymn for 2 Voices
  • Choose Carefully!
  • Active Participation • “Participatio Actuosa”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.