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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bishop of Manchester • Letter Re: “Ad Orientem”

Jeff Ostrowski · December 5, 2016

O MY KNOWLEDGE, three American bishops have attempted to forbid “ad orientem” celebration. The first was the bishop of Little Rock, whose letter went out in July. That was followed quickly by the bishop of Davenport, Iowa, who also sent a letter. Now—by means of the CCW Facebook—I was sent this letter from the diocese of Manchester, New Hampshire:

599 ad orientem


Some have argued “expectation” is different than “command”—but that doesn’t hold up. I worked at a Cathedral for four years. When our bishop said “I expect XYZ to happen…” you better believe we made XYZ happen.

It’s difficult to understand how the bishop can require a “personal, in-depth conversation” before priests choose a legitimate option, especially in light of the CDW statement (SEE BELOW). 1

Celebration facing the people is certainly a legitimate option. The GIRM paragraphs dealing with altar construction clearly say:

{ 299. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit, quod expedit ubicumque possibile sit. }
299. Where it is possible to do so, the main altar should be built separated from the wall. This allows for the possibility of Mass “facing the people” and also walking around the altar.

The CDW on 10 April 2000 (PROTOCOL NO. 564/00/L) settled the question of “ad orientem” in the 2000 (2002) Missal:

“This dicastery wishes to state that Holy Mass may be celebrated versus populum or versus apsidem. Both positions are in accord with liturgical law; both are to be considered correct. There is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.”

Bishop Amos (of Davenport, Iowa) has argued that “versus populum” celebration is necessary so everyone can face the Altar:

“However, it is clear that the normative position of the priest when presiding at Mass in the Ordinary Form is facing the people, or, better, of the priest and the assembly facing the Altar together, the Altar that is a symbol of Christ in our midst and of our participation in the feast of the Kingdom.”

But don’t we all face the Altar either way?

598 ad orientem


The rector at the Cathedral where I served for four years had all the Masses “ad orientem” one Sunday, even the Spanish Mass. I asked him what the response was, and he said hardly anyone noticed! Remember that—in Ordinary Form Masses—when “ad orientem” is chosen, the priest and people face the same way only about 10% of the time. (It’s primarily during the Canon.)

The universal practice of the Church, as far back as we have documentation, has always been to have priest and people face the same direction:

593 Cardinal Sarah ad orientem


I was taught that Christ will return from the East, and the priest is leading us to Christ—but there are many other explanations.



NOTES FROM THIS ARTICLE:

1   I wonder if the letter could (perhaps) be amended? Perhaps Bishop Libasci could simply recommend that priests switching to “ad orientem” come to him for advice and tips first.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Robert Cardinal Sarah Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Palestrina wrote two Masses in honor of the Blessed Virgin—one “a 6” before the Council of Trent, consequently with the tropes, and first published in 1570. In 1599 it was republished in Palestrina “Missarum Liber III” with the tropes removed, and in their place the liturgical words of the “Gloria” reiterated.

— Henry Coates

Recent Posts

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  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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