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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Breathtaking Images from Poland

Jeff Ostrowski · August 16, 2016

ACK IN 1978, Fr. Joseph Gelineau wrote: “We must say it plainly: the Roman rite as we knew it exists no more. It has gone.” 1 On 28 January 2007, Fr. Reginald Foster—a high-ranking Vatican official for more than 40 years—declared categorically that Pope Benedict XVI would never authorize the traditional rite:

“He is not going to do it. He had trouble with Regensberg, and then trouble in Warsaw, and if he does this, all hell will break loose.” Then Fr. Foster added: “It is a useless Mass and the whole mentality is stupid. The idea of it is that things were better in the old days. It makes the Vatican look medieval.”

Those priests obviously never read Yogi Berra, who once quipped: “It’s tough to make predictions, especially about the future.” Consider the following images, kindly sent by a reader. They were taken during a spectacular liturgical conference held in Poland last week:

200 Ars Celebrandi 2016 F 200 Ars Celebrandi 2016 E 200 Ars Celebrandi 2016 D 200 Ars Celebrandi 2016 C 200 Ars Celebrandi 2016 B 200 Ars Celebrandi 2016 A

To Fr. Gelineau and Fr. Foster, I can only say: “Rumors of the traditional liturgy’s death have been greatly exaggerated.”

By the way, there are more amazing images at this website, and those who can understand Polish will want to visit their splendid homepage.

199 banner ars celebrandi Poland


I can’t understand Polish, but I’d like to know more about the singers. It seems the music was was sung by Robert Pozharsky, Marcin Bornus-Szczyciński, Konrad Zagajewski, Jan Golaski, Joanna Eagle, Paulina Kukiz, Magdalena Krzywda-Krzysteczko, and Bogumil Kazmierczak.



NOTES FROM THIS ARTICLE:

1   Gelineau said this even though paragraph 50 of Sacrosanctum Concilium declared: “the rite of the Mass is to be revised in such a way that the intrinsic nature…may be more clearly manifested, and that devout and active participation by the faithful may be more easily achieved.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

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