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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“I confess that I was a liturgical nut” says Bishop consecrated by Pope Paul VI

Jeff Ostrowski · April 6, 2016

590 Bishop Gracida Interview 2015 ARLIER TODAY, my friend emailed me a fascinating YouTube interview with Bishop Emeritus René H. Gracida, who fought the Nazis in Germany as a young man and later became a close friend of Pope Saint John Paul II. The interview was conducted by someone named Michael Voris, and you might want to skip to the 1:30 marker, where Bishop Gracida starts talking:

* *  YouTube • Bp. Gracida Interview (2015)

His Excellency, currently 92 years old, does not mince words about post-conciliar chaos:

“It was the virus of the false spirit of Vatican II.  I was one of them; I was very enthusiastic about some of the reforms of Vatican II. But a little later I came to realize how I had been hoodwinked, and how I had been misled by the progressives.”

When asked about the most concerning areas in the Church today, Bishop Gracida says:

“I have no doubt that the area of the Church’s life that needs the greatest attention is the liturgy. The liturgy is not only worship of God; it is the way we are formed in our faith. So all that has happened in the liturgy since the Second Vatican II that is bad is malforming Catholics even today. So the Novus Ordo—although I have celebrated it, and have appreciated its value at times—I never celebrate it now. All my Masses are in the Traditional Rite because it is the most spiritual, the most reverential, the most clear proclamation of what we believe!”

Then Bishop Gracida explains precisely what he means, ending with a warning:

“When we ruin the liturgy, we remove that which protects the faithful.”

Later on, Bishop Gracida speaks of the “modified” Traditional Rite, by which he means the 1965 Missal. (You can download the 1965 Missal, in Latin & English, as a PDF file.)

AT ONE POINT during the interview, Bishop Gracida is asked when he came to these realizations (see above). His Excellency says:

“I confess that I was a liturgical nut.”

Then he elucidates upon this statement…evening naming names!  It seems that people who pay a monthly fee to Michael Voris can watch the full 3-hour interview. I am not a subscriber, but perhaps one of our readers could give us the “highlights” using the CCW Facebook comments section.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: February 14, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The creed at baptism may be said in either Greek or Latin, at the convert’s discretion, according to the Gelasian Sacramentary.”

— Father Adrian Fortescue

Recent Posts

  • Solemn “Salve Regina” (Chant)
  • A Nice Hymn In Spanish
  • Fulton J. Sheen • “Why Four Bishops Voted Against the Liturgical Constitution”
  • New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”
  • “Music List” • 21st in Ordinary Time (Year C)

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