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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Works of Mercy

Andrew Leung · April 28, 2016

CTL Musical Works of Mercy AST WEEK, I suggested an enjoyable way to pray during the Year of Mercy; and this week, I would like to make some suggestions that are not as relaxing, but require active works from us. As followers of Christ, we are all called to sanctify ourselves and others around us. One way to do that, especially during this Jubilee Year of Mercy, is to perform the works of mercy. Works of mercy are acts of both penance and charity, and they help lead us and others to greater holiness. There are two categories of works of mercy: corporal works of mercy which concerns the material needs of others and spiritual works of mercy which concerns the spiritual needs.

My suggestions are based on the seven spiritual works of mercy. Sacred music is for the glory of God and the sanctification, the edification of the faithful, just as St. Pius X said. Here are a few ways that we, church musicians, can help others spiritually through music:

1. To instruct the ignorant – Through doctrinal and orthodox liturgical music, we can help people learn more about the Catholic faith. This can be accomplished through singing the Creed and traditional hymnodies. Even though hymnodies come from the Protestant tradition, they are very effective in this regard. And of course, the Creed is our believes and singing the profession of faith help us to think more deeply on the text.

2. To counsel the doubtful and to admonish sinners – Through the sacred scripture in the church music, those who are doubtful can be counseled. We can also help people to listen to the Word of God, to reflect on their own lives and to live more like Christ. We perform this work of mercy every time when we chant the propers.

3. To bear wrongs patiently and to forgive offences willingly – As musicians, we are constantly being judged by others. When we face negative comments, let’s try to be polite and stay positive. We are called to be charitable to others even when they offend us with words.

4. To comfort the afflicted – Through the beauty of the Church’s music, we can bring the afflicted brothers and sisters comfort and lead to God, who is the source of all beauty. True sacred music can heal wounded souls and feed spiritual hungers.

5. To pray for the living and the dead – I have stressed the importance of prayer many times. Prayer is the key element of sacred music. We must remember to make our singing prayers to God. And when we pray, don’t just pray for ourselves, but also for those who are around us and the Church Suffering.

Hopefully, most of us are already doing these works of mercy as we provide music for liturgies. But it is never too late to start!

“Be merciful, just as your Father is merciful.” — Luke 6:36

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.