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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A New Edition Of The 1962 Missal?

Jeff Ostrowski · September 7, 2015

078 Padre Pio Extraordinary Form HEN PEOPLE PUSH for a new edition of the 1962 Missale Romanum, their primary argument goes something like this: “A new edition is necessary because of all the saints canonized since the 1960s.” However, such an argument cannot be sustained.

Did you know Mass can be celebrated in honor of Padre Pio, who was declared a saint many years after the 1962 Missal was published? Here are the Propers:

    * *  PDF Download • 1962 Propers for Padre Pio

When no text is given in the Missal, the formularies are taken from the COMMONS. This was frequently done when a particular diocese or church was named after a saint lacking a feast day in the Missal. This coming Friday, you could even celebrate a votive Mass in honor of St. Godfrey Maurice Jones!

WILL THERE EVER BE a new edition of the 1962 Missale Romanum? I don’t think we’ll see that any time soon, but we might see some kind of APPENDIX with minor changes published by the Vatican. For example, the appropriate Vatican office might send out a questionnaire to all priests who offer the Extraordinary Form, asking if they frequently celebrate a votive Mass for Saint Pio of Pietrelcina. If an absolutely overwhelming number of them say “yes,” perhaps it would make sense to give him a feast date.

Several years ago, rumors were floating around about Pope Benedict XVI. One rumor said B16 would soon change the 1962 Missal into a type of “hybrid.” When a very important cleric—who promotes the Extraordinary Form at the highest levels—visited our home, I asked him about that rumor. He replied:

A very good bishop asked me to investigate that rumor, so my secretary and I spent considerable time on it. When all was said and done, the rumor was found to have originated from an anonymous source, propagated by an anonymous blog. Since that time, I have warned our people to be careful with internet rumors. The most common reason for people to hide their true identity is a lack of credentials; another is to avoid lawsuits. Neither of these is a good thing!

His advice contains great wisdom, and that’s one reason we have a general policy against linking to anonymous websites. For the record, traditional Catholic websites like this one don’t hold a monopoly on “Vatican gossip.” Several progressive liturgical websites are still wiping the egg from their faces after publicly claiming over and over that Archbishop Piero Marini would be appointed head of the CDW. They were dead wrong, and hopefully now recognize the danger of putting one’s faith in anonymous internet rumors.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Padre Pio, Saint Pio of Pietrelcina Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

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