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Views from the Choir Loft

A New Edition Of The 1962 Missal?

Jeff Ostrowski · September 7, 2015

078 Padre Pio Extraordinary Form HEN PEOPLE PUSH for a new edition of the 1962 Missale Romanum, their primary argument goes something like this: “A new edition is necessary because of all the saints canonized since the 1960s.” However, such an argument cannot be sustained.

Did you know Mass can be celebrated in honor of Padre Pio, who was declared a saint many years after the 1962 Missal was published? Here are the Propers:

    * *  PDF Download • 1962 Propers for Padre Pio

When no text is given in the Missal, the formularies are taken from the COMMONS. This was frequently done when a particular diocese or church was named after a saint lacking a feast day in the Missal. This coming Friday, you could even celebrate a votive Mass in honor of St. Godfrey Maurice Jones!

WILL THERE EVER BE a new edition of the 1962 Missale Romanum? I don’t think we’ll see that any time soon, but we might see some kind of APPENDIX with minor changes published by the Vatican. For example, the appropriate Vatican office might send out a questionnaire to all priests who offer the Extraordinary Form, asking if they frequently celebrate a votive Mass for Saint Pio of Pietrelcina. If an absolutely overwhelming number of them say “yes,” perhaps it would make sense to give him a feast date.

Several years ago, rumors were floating around about Pope Benedict XVI. One rumor said B16 would soon change the 1962 Missal into a type of “hybrid.” When a very important cleric—who promotes the Extraordinary Form at the highest levels—visited our home, I asked him about that rumor. He replied:

A very good bishop asked me to investigate that rumor, so my secretary and I spent considerable time on it. When all was said and done, the rumor was found to have originated from an anonymous source, propagated by an anonymous blog. Since that time, I have warned our people to be careful with internet rumors. The most common reason for people to hide their true identity is a lack of credentials; another is to avoid lawsuits. Neither of these is a good thing!

His advice contains great wisdom, and that’s one reason we have a general policy against linking to anonymous websites. For the record, traditional Catholic websites like this one don’t hold a monopoly on “Vatican gossip.” Several progressive liturgical websites are still wiping the egg from their faces after publicly claiming over and over that Archbishop Piero Marini would be appointed head of the CDW. They were dead wrong, and hopefully now recognize the danger of putting one’s faith in anonymous internet rumors.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Padre Pio, Saint Pio of Pietrelcina Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)
  • “Truly Great Processional” • (Pipe Organ)

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