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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Papal Liturgies – Day 2 of the Papal Visit

Andrew Leung · September 23, 2015

Today is the second day, first full day, of Pope Francis’s apostolic visit to the country. He spent his day in Washington DC today. Here is a video of the Mid-Day Prayer with the bishops at the Cathedral of St. Matthew the Apostle.

Reception of the Holy Father: 27:00
Mid-Day Prayer: 37:15

Personally, I thought the music selection was pretty good. The music reflects noble simplicity. Even though the psalm tones weren’t Gregorian, but they are definitely worthy for the liturgy. I am also surprise by the amount of Sacred Silence they had between psalms and reading. Those moments are very peaceful and contemplative. And of course, it’s always nice to have the brass along with the organ for the Holy Father, and Tu es Petrus is the perfect and appropriate piece for papal liturgies.

On the other hand, the Mass and Canonization of Fr. Junipero Serra shows all the main problems of the Sacred Music in the country.

Reception of the Holy Father: 15:00
Canonization: 33:30
Holy Mass: 1:04:00

There are some nice pieces in this video like the glorious Christus Vincit at the beginning of the reception of the Pope, Veni Creator Spiritus at the beginning of the canonization and the Gloria at the beginning of the Mass. However, I hate to say this, most of the music at this Mass is just bad and unworthy. The music shows the main problems of American Sacred Music nowadays. Here are five points to summarize these problems:

1. The Lack of Resources for Spanish Church Music

2. Bilingual (or more languages) Masses

3. Cantors performing solos and “leading” the congregational singing

4. The Bad Taste in music and arts in general

5. Having church music that is not holy, not set apart from the secular music

The two parts that upset me the most is the second reading and the offertory. I am not upset because the lector didn’t read well. But I really don’t understand people’s mind. Why did they choose someone who has difficulties in reading to read? It is good to show our love and care to the “least of us”, meaning those who are sick and suffering. Exposing someone weakness is not how do that though. And if you pay attention to the end of the offertory, you will realize that the music actually interrupted the Mass. There might be some miscommunications, but the Pope just kept on going in the “Orate fratres“ after he washed his fingers. That is something that should not happen at a parish Mass, and definitely unacceptable at a Papal Mass! My fellow church musicians, we have a lot of work to do!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“But when all aids to a good translation of the Psalms have been made use of, it often happens, from various causes, that some words or phrases of a Psalm remain obscure or unintelligible to the reader. Then it is that explanatory Notes become necessary.”

— Father Charles J. Callan (who founded “The Homiletic and Pastoral Review”)

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