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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Papal Liturgies – Day 2 of the Papal Visit

Andrew Leung · September 23, 2015

Today is the second day, first full day, of Pope Francis’s apostolic visit to the country. He spent his day in Washington DC today. Here is a video of the Mid-Day Prayer with the bishops at the Cathedral of St. Matthew the Apostle.

Reception of the Holy Father: 27:00
Mid-Day Prayer: 37:15

Personally, I thought the music selection was pretty good. The music reflects noble simplicity. Even though the psalm tones weren’t Gregorian, but they are definitely worthy for the liturgy. I am also surprise by the amount of Sacred Silence they had between psalms and reading. Those moments are very peaceful and contemplative. And of course, it’s always nice to have the brass along with the organ for the Holy Father, and Tu es Petrus is the perfect and appropriate piece for papal liturgies.

On the other hand, the Mass and Canonization of Fr. Junipero Serra shows all the main problems of the Sacred Music in the country.

Reception of the Holy Father: 15:00
Canonization: 33:30
Holy Mass: 1:04:00

There are some nice pieces in this video like the glorious Christus Vincit at the beginning of the reception of the Pope, Veni Creator Spiritus at the beginning of the canonization and the Gloria at the beginning of the Mass. However, I hate to say this, most of the music at this Mass is just bad and unworthy. The music shows the main problems of American Sacred Music nowadays. Here are five points to summarize these problems:

1. The Lack of Resources for Spanish Church Music

2. Bilingual (or more languages) Masses

3. Cantors performing solos and “leading” the congregational singing

4. The Bad Taste in music and arts in general

5. Having church music that is not holy, not set apart from the secular music

The two parts that upset me the most is the second reading and the offertory. I am not upset because the lector didn’t read well. But I really don’t understand people’s mind. Why did they choose someone who has difficulties in reading to read? It is good to show our love and care to the “least of us”, meaning those who are sick and suffering. Exposing someone weakness is not how do that though. And if you pay attention to the end of the offertory, you will realize that the music actually interrupted the Mass. There might be some miscommunications, but the Pope just kept on going in the “Orate fratres“ after he washed his fingers. That is something that should not happen at a parish Mass, and definitely unacceptable at a Papal Mass! My fellow church musicians, we have a lot of work to do!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Those who teach Latin must know how to speak to the hearts of the young, know how to treasure the very rich heritage of the Latin tradition to educate them in the path of life, and accompany them along paths rich in hope and confidence.”

— Pope Francis (7 December 2017)

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