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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sir David Willcocks (1919-2015)

Andrew Leung · September 17, 2015

CTL Sir David Willcocks HE WORLD OF MUSIC have suffered a great loss today. Sir David Willcocks passed away at the age of 95. According to King’s College, he died peacefully at home on September 17. Sir Willcocks was a well-known British choral conductor, organist and composer.

Sir David Willcocks was born in Newquay in 1919, he became a chorister at Westminster Abbey at the age of eight, where he was conducted by Sir Edward Elgar. He directed the Choir of King’s College, Cambridge, from 1957 to 1974, where recordings and broadcasts were frequently made. Before that, he served at the Salisbury Cathedral and the Worcester Cathedral. He was also director of the Royal College of Music in London. He was appointed a Commander of the Order of the British Empire in 1971 and was created a Knight Bachelor in 1977 in the Queen’s Silver Jubilee Honors. He held honorary degrees from over ten universities in England, USA and Canada.

Sir Willcocks is particularly well-known for his association with the Choir of King’s College. His connection with the college began in 1939 when he became an organ scholar. He was elected to a fellowship in 1947 and subsequently held the post of Director of Music. There, he wrote several descants and carol arrangements for the annual service of the Nine Lessons and Carols. These descants and arrangements were published in the series of Carols for Choirs which he edited along with Reginald Jacques and John Rutter. Under his direction, the Choir of King’s College made numerous recordings and gave concerts worldwide. They also made appearances on television and radio.

His book, 100 Carols for Choirs is one that every parish must have in their music library! It is a selection of one hundred most popular carols and hymns for Advent and the Christmas season. There are some glorious descants and beautiful arrangements of the organ accompaniments in the book.

He wrote the famous arrangement of O Come, All Ye Faithful that being used all over the world every Christmas, including St. Peter Basilica in the Vatican. Here is a video of Choir of King’s College singing the carol at the Lessons and Carols 2009:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Jesuits have spoiled the work of Christian antiquity, under pretext of restoring the hymns in accordance with the laws of metre and elegant language.”

— M. Ulysse Chevalier (1891)

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