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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sir David Willcocks (1919-2015)

Andrew Leung · September 17, 2015

CTL Sir David Willcocks HE WORLD OF MUSIC have suffered a great loss today. Sir David Willcocks passed away at the age of 95. According to King’s College, he died peacefully at home on September 17. Sir Willcocks was a well-known British choral conductor, organist and composer.

Sir David Willcocks was born in Newquay in 1919, he became a chorister at Westminster Abbey at the age of eight, where he was conducted by Sir Edward Elgar. He directed the Choir of King’s College, Cambridge, from 1957 to 1974, where recordings and broadcasts were frequently made. Before that, he served at the Salisbury Cathedral and the Worcester Cathedral. He was also director of the Royal College of Music in London. He was appointed a Commander of the Order of the British Empire in 1971 and was created a Knight Bachelor in 1977 in the Queen’s Silver Jubilee Honors. He held honorary degrees from over ten universities in England, USA and Canada.

Sir Willcocks is particularly well-known for his association with the Choir of King’s College. His connection with the college began in 1939 when he became an organ scholar. He was elected to a fellowship in 1947 and subsequently held the post of Director of Music. There, he wrote several descants and carol arrangements for the annual service of the Nine Lessons and Carols. These descants and arrangements were published in the series of Carols for Choirs which he edited along with Reginald Jacques and John Rutter. Under his direction, the Choir of King’s College made numerous recordings and gave concerts worldwide. They also made appearances on television and radio.

His book, 100 Carols for Choirs is one that every parish must have in their music library! It is a selection of one hundred most popular carols and hymns for Advent and the Christmas season. There are some glorious descants and beautiful arrangements of the organ accompaniments in the book.

He wrote the famous arrangement of O Come, All Ye Faithful that being used all over the world every Christmas, including St. Peter Basilica in the Vatican. Here is a video of Choir of King’s College singing the carol at the Lessons and Carols 2009:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Naturally the accompaniment of the organ is merely tolerated during the office of the dead, but in fact, in nearly every parish this toleration has become a habit.”

— Henri Potiron, 1958

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