About this blogger:
Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and five children.
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“Each Mass contains the slaying of the Victim, not repeated here in the West after centuries, made once only long ago in Palestine, yet part of the sacrifice offered throughout the world each morning. All Masses are one sacrifice, including the death of the cross, continuing through all time the act of offering then begun … Every time we hear Mass we look across that gulf of time, we are again before the cross, with his mother and St. John; we offer still that victim then slain, present here under the forms of bread and wine.”
— Fr. Adrian Fortescue (d. 1923)

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New CD by the Sistine Chapel Choir
published 10 October 2015 by Veronica Brandt

Much of this music is familiar to me from a decade attending Mass at the Maternal Heart of Mary Church in Sydney. I love how the choir master, Msgr Palombella, describes Sicut Cervus as being a favourite for the congregation to join in (see 3:30). Polyphony doesn’t forbid congregational singing, it just raises the bar.

Also, you might sense a difference with Allegri’s Miserere. They are singing from a manuscript from the Vatican Archives from 1661. This is before that famous high C was added in a later elaboration.



You can buy CDs or downloads from Deutsche Grammophon. I have and I will be listening to these tracks over and over again.