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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What can Men Do Against such Reckless Hate?

Andrew Leung · November 19, 2015

CTL France AST FRIDAY, I served as a Straw Subdeacon at a Solemn High Mass for the first time. It was a wonderful and prayerful experience! One of the servers informed us that a tragic attack happened in Paris during our prayerful Mass. I was shocked and very sad when I heard the news. It wasn’t the news I expected hear after a beautiful Mass. All I did was pray for those souls as I take off my vestments.

Fr. Michael Gossett, parochial vicar at my parish, quoted the second Lord of the Rings movie at Sunday Mass. He quoted King Theoden of Rohan and Aragon:

Theoden: What can men do against such reckless hate?

Aragorn: Ride out with me. Ride out and meet them.

These lines are from the conversation of the two characters as they face their enemies, who are attacking them not for their wealth nor land, but just wanting to destroy the world of men. We are facing a similar situation today. While most of us are not going to be the ones riding out to meet the enemies physically, we can all pray harder. That is what we do as followers of Christ.

We need to pray for the repose of the souls of those who were killed in the attack; for recovery and healing for those who are injured; for the families of the victims; for the leaders of the nations and those who are defending us physically from the enemies; for the conversion of our enemies and the grace of forgiveness; etc.

This is what the famous American conductor, Leonard Bernstein, said after the assassination of President Kennedy:

“This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.”

That is what we, musicians, can do in response to violence and hate.

CTL France 2 HERE WILL BE a Sung Requiem Mass according to the Extraordinary Form of the Roman Rite this Saturday at 8am at the historical St. Peter Church in downtown Steubenville, OH. Fr. Timothy Huffman, the pastor of St. Peter, will be offering this Mass for Souls in purgatory, especially for those who lose their lives in the Paris attack. Yours truly will be directing a choir formed by students of the Franciscan University of Steubenville. The repertoire will include traditional Gregorian chants for the Requiem Mass, excerpts of the Missa Pro defunctis (1583) by Tomás Luis de Victoria and pieces by Palestrina and Fauré.

May the souls of the faithful departed, through the mercy of God, rest in peace. Amen.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading in the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (d. 1976)

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