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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

One Sure Way To Destroy Your Child’s Musical Potential

Dr. Lucas Tappan · May 19, 2015

LMT Sound of Music EVERAL WEEKS AGO, while I waited for my oldest son to finish his last Catechesis of the Good Shepherd class before the summer vacation began, I was speaking to several home schooling mothers in our parish about music. One asked when her child could enter our children’s choir, then she made the usual comment that she herself couldn’t sing. I gave my standard reply—if she couldn’t sing, she wouldn’t be able to talk.

Unfortunately, many mothers and fathers THINK they can’t sing, and therefore don’t sing to their children. Don’t make this mistake because you will almost assuredly destroy much of your child’s musical potential! Your voice doesn’t have to be great to sing to your child, you just have to be willing to sing, no matter what.

How many of us want our children to get to Heaven, but because we aren’t a saint on the caliber of St. Thomas Aquinas, St. Jean Vianney, Blessed Teresa of Calcutta, or Pope St. John Paul II don’t even try to pass on the Faith to our children? Of course not; that would be ludicrous!

You can sing to your children everywhere, believe me, ask my children. Driving in the car, doing the dishes, pulling weeds, while in church, during family prayers, cleaning the house, walking around the neighborhood. (Yesterday, as my wife and I left Target, I intoned the Deus in adjutorium from the beginning of the Divine Office without thinking. There was a decent ring in Target’s entry way.) My oldest son’s favorite song is I’ve Been Working on the Railroad (he loves trains), but we sing everything, including children’s songs, folk songs, funny songs we make up (or we change the lyrics of songs we know), hymns, chants, rounds, and even a version of the alphabet song in second species counterpoint (both major and minor) I made up trying to be funny—we just have fun while we do it. Don’t deprive your children (and yourself!) of such a gift. I will admit I was very proud last week when my wife told me that she had the boys in the car headed somewhere around town when the oldest said, “Mommy, let’s sing!”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The Mass, said in Latin, is the same all over the world. Go where you will, the language is the same; and such unity is in itself a great good, far greater than would be the mere understanding of the words.”

— John Henry Newman (1859)

Recent Posts

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  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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