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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Future of the Pipe Organ

Fr. David Friel · March 15, 2015

OMETHING HAS STUCK with me since I read an early post of our new contributor, Dr. Lucas Tappan. In his second post, he recalls his parish priest offering to pay for the organ lessons of any student in 4th – 8th grade who was willing to learn. That generous endeavor turned at least one young man into an organist.

A recent article in the Catholic News Herald (newspaper of the Diocese of Charlotte, NC) addresses the modern travails of the pipe organ in Catholic worship, but with a decidedly positive outlook toward the future.

The article interviews Paul Skevington, a past chairman of the NPM section for organists. Skevington observes that the main problem is not so much a shortage of organists, but rather a dearth of full-time, well-paying, church organist positions. This strikes me as sad, especially in a Church that grants principium locum (“principal place,” as translated by Dr. Mahrt) to the pipe organ. Too often, the instrument that should hold “principal place” in the sacred liturgy is allocated “no place” in parish budgets.

These ideas have been rolling around my head for the last couple of weeks. The result is the following set of three easy steps to be taken at the parish level:

1. Increase the amount of funding allocated to sacred music. Quality music programs come at a cost, but so do poor music programs. The difference is that quality music programs only cost money, whereas poor music programs cost money & parishioners.

2. Deliberately foster the talents of potential young organists. What better investment could a parish make than to offer lessons for a couple of its aspiring musicians? If you want to go whole hog, pay to send them to the CMAA Colloquium, too.

3. Help parish building committees to understand that the cost of a pipe organ & its maintenance are worth it. If a parish is building a new church or undertaking a renovation, make sure to include qualified musicians in the design phase. Instruments, choir areas, & acoustics should never be treated as mere afterthoughts.

Most of our readers do not need to be convinced of the importance of the pipe organ or the “principal place” it deserves. But perhaps we could choose one or more of these steps and become a leader at the parish level. That’s where real change happens, and that’s where the future of the pipe organ will be secured or lost.

“The manifold possibilities of the organ remind us of the immensity and the magnificence of God.” (Pope Benedict XVI)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Passing on Tradition, Pipe Organ, Sacred Music Colloquium, Simple Steps To Improve Parish Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

The “jolly good guy” kind of pastor can be an irritant. […] Ministers of the Gospel are not used car salesmen whose heartiness is a mile wide and an inch deep. A bemused layman told me that a bishop joked with him, but turned away like a startled deer when asked an important question…

— Fr. George Rutler (7 August 2017)

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