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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Pope Francis & Tomfoolery From The “LA Times”

Jeff Ostrowski · March 12, 2015

173 Benedict 1962 ERE in Los Angeles, there’s been some buzz about a rather silly article in the LA Times. My first thought was: “What on earth is the LA Times doing publishing such nonsense?” For one thing, Los Angeles doesn’t have an overwhelming number of traditionalist Catholics, which is why the FSSP is in the process of founding a parish in response to the 2007 papal document, Summorum Pontificum.

In certain quarters, I’ve observed “hysteria” whenever articles like this appear. Two basic causes are at the root. First, there’s an unfortunate tendency to mimic the mainstream media’s 24/7 coverage of Obama, which we’ve already discussed. Second, there’s a lack of understanding about the nature of the papacy.

Many faithful Catholics first experienced the 1962 Missal during the pontificate of Benedict XVI, who personally celebrated it. Having experienced B16’s support, they have a hard time accepting that popes can make errors regarding liturgy. In fact, the Breviary reforms under Pope Pius X have been widely condemned by serious liturgists. Pope Pius XII allowed wild and unthinkable changes to the Traditional Latin Mass. I’ve cited the reprehensible disaster of Pope Urban VIII, and recently referenced the liturgical schizophrenia of Pope Paul VI.

When my family began attending the Traditional Latin Mass during the 1990s, I served Mass at least once each week. We also celebrated with solemnity the special feasts—Corpus Christi, Holy Week, and so on. At this time, the Holy Father gave almost no support to our movement, yet I can’t remember being bothered by this. We were so focused on the miracle of the Holy Mass, we didn’t have time to question whether John Paul II said Mass ad orientem that week or made public comments in support of our tiny movement.

The Uniate Eastern Catholics have probably experienced something similar for the last 1,000+ years. They don’t wake up every morning and wonder whether the Pope said anything in favor of their particular liturgy. Most are totally focused on Christ; too busy for sensationalist nonsense.

When asked by reporters about the Traditional Latin Mass, here’s what Pope Francis ought to respond:

“Our world is filled with enormous suffering. Our Church is in crisis, with an unbelievable number of Catholics who don’t attend Mass and can’t enunciate even the most basic tenets of our Faith. For you to ask me about such a thing—wherein a small percentage of Catholics lawfully attend an ancient liturgy according to the provisions of a 2007 papal decree—speaks volumes about your lack of proficiency as a reporter. Therefore, either ask me a serious question about a pressing issue or I’ll go to the next questioner.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

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