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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Papal Master of Ceremonies on receiving Communion

Andrew Leung · June 4, 2015

CTL Guido Marini WO WEEKS AGO, I made a post about the best way to receive communion. I didn’t really touch on the theological values of the posture and I would like do a little follow-up today, on the Solemnity of the Body and Blood of Christ (EF).

I have been reading a book called “Liturgical Reflections of a Papal Master of Ceremonies” by Msgr. Guido Marini recently. In the book, Msgr. Marini gave his reflection on Sacred Silence, Liturgical Music, Holy Communion, the Pope’s Vestments and many other topics. He wrote briefly, in the chapter on Holy Communion, about the history of how the Church started the practice of receiving communion on the tongue while kneeling. The motivation for this practice is twofold:

(1) To avoid, as much as possible, the dropping of the Eucharistic particles;|
(2) And to increase among the faithful, devotion to the Real Presence of Christ in the Sacrament if the Eucharist.

St. Thomas Aquinas also affirms, in his book Summa Theologiae, that touching the Body of Christ is proper only to the ordained priest. It is for this reason that the priest’s hands are consecrated. And therefore, out of reverence toward the Blessed Sacrament, anyone else should not touch the Body of Our Lord.

He continues on talking about the posture for the sacred moment of Holy Communion, he wrote, “Kneeling indicates and promotes the adoration necessary before receiving the Eucharistic Christ.” We should approach the Lord with the greatest respect and adoration during Holy Communion.

Starting with the Solemnity of Corpus Christi in the year 2008, Pope Benedict XVI began to distribute to the faithful the Body of the Lord by placing it directly on the tongue as they remain kneeling. If you are planning on attending a Novus Ordo Mass this Sunday, the Solemnity of Corpus Christi, consider taking up this practice which is the tradition for many centuries and has been passed down to us. The Church made clear in 2012 that this option is fully legitimate. And just as Pope Francis’s expectation for Cardinal Sarah (the Prefect of the Congregation for Divine Worship), let us continue the liturgical vision of Pope Emeritus Benedict XVI!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The Second Plenary Council of Baltimore (Tit. VI, Cap. iii, 379) did order that Vespers be sung, and in their entirety, in all churches on Sundays and feast days and that Vespers be not omitted on account of other services. However, the Fathers of the Council inserted the clause, “quatenus fieri potest,” in consideration of practical difficulties in the carrying out of the decree.

— The American Ecclesiastical Review (Febr. 1949)

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  • Fulton J. Sheen • “24-Hour Catechism”
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