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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Anglican can dress anything up?

Andrew Leung · July 29, 2015

CTL Anglican can dress anything up ECENTLY, I came across a video on Facebook. The person who shared the video made his comment saying that “Anglican can dress anything up”. To be honest, I have a great appreciation for Anglican church music and I really enjoy listening to their boys’ choir. The video is a recording of the Choir of Hexham Abbey and the congregation singing Dan Schutte’s Here I am Lord, a song that I heard a lot growing up. Don’t get me wrong, I am not trying to be mean the our Anglican brothers and sisters nor to discredit their music. But can the Anglicans really dress anything up? And is it possible that one can change the nature of a song by “dressing them” up?

Let me make it clear: I have nothing against composer himself, so please don’t leave a bunch of negative comments about the composer!


First, I have to admit that the Anglicans did a great job “dressing up” the song. The boys’ choir sounded pretty good and blended, and the descant was just beautiful! The instrumentation is also very noble, none of that guitar and piano stuff. I am very impressed with that congregational singing. I don’t know if they sing like that every Sunday, but I don’t usually hear strong singing like that in Catholic churches. It almost sounds like a different piece from this when it is decorated. But still, the decorations don’t change the nature of this piece.

The text is the soul of a piece of choral music, or a song. The text is the first thing that determine whether a hymn or song is appropriate for the Liturgy. The text is the nature of a song. In the case of Liturgical Music, the texts should govern the musical settings. A decorated Here I am Lord will still have the problem of “Voice of God” as Jeff Ostrowski explained. The refrain of the song is still not poetic and going to be focusing on “me”, instead of God.

Yes, Anglicans might be able to dress anything up, but they can’t change the nature of the song. It can sound very dignified, but still not appropriate for the Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“When we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.”

— C. S. Lewis

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