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Views from the Choir Loft

The Anglican can dress anything up?

Andrew Leung · July 29, 2015

CTL Anglican can dress anything up ECENTLY, I came across a video on Facebook. The person who shared the video made his comment saying that “Anglican can dress anything up”. To be honest, I have a great appreciation for Anglican church music and I really enjoy listening to their boys’ choir. The video is a recording of the Choir of Hexham Abbey and the congregation singing Dan Schutte’s Here I am Lord, a song that I heard a lot growing up. Don’t get me wrong, I am not trying to be mean the our Anglican brothers and sisters nor to discredit their music. But can the Anglicans really dress anything up? And is it possible that one can change the nature of a song by “dressing them” up?

Let me make it clear: I have nothing against composer himself, so please don’t leave a bunch of negative comments about the composer!


First, I have to admit that the Anglicans did a great job “dressing up” the song. The boys’ choir sounded pretty good and blended, and the descant was just beautiful! The instrumentation is also very noble, none of that guitar and piano stuff. I am very impressed with that congregational singing. I don’t know if they sing like that every Sunday, but I don’t usually hear strong singing like that in Catholic churches. It almost sounds like a different piece from this when it is decorated. But still, the decorations don’t change the nature of this piece.

The text is the soul of a piece of choral music, or a song. The text is the first thing that determine whether a hymn or song is appropriate for the Liturgy. The text is the nature of a song. In the case of Liturgical Music, the texts should govern the musical settings. A decorated Here I am Lord will still have the problem of “Voice of God” as Jeff Ostrowski explained. The refrain of the song is still not poetic and going to be focusing on “me”, instead of God.

Yes, Anglicans might be able to dress anything up, but they can’t change the nature of the song. It can sound very dignified, but still not appropriate for the Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Proof Which All Can Immediately See!
    “A little knowledge is a dangerous thing,” as the famous maxim goes. Over the years, I’ve observed malicious attacks on the Brébeuf Catholic Hymnal. Rather than scoring a ‘hit’ on the Brébeuf Hymnal, its attackers often reveal profound ignorance. I’ve been advised never to reply … but I break that rule today. Certain voices online assert that the Brébeuf Hymnal is “untraditional” because it includes both the Urbanite and pre-Urbanite versions of the hymns. But if only they would glance at a copy of the 1913 VESPERALE (printed by order of Pope Saint Pius X) they would see how mistaken such statements are.
    —Jeff Ostrowski
    New Bulletin Article • “8 June 2025”
    My pastor requested that I write short articles each week for the parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article includes a few anecdotes about Archbishop Fulton J. Sheen and Abraham Lincoln.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I prefer to preach,” said one priest “even without immediate preparation, for I can always draw—from the various studies stored away during the seminary years—enough material to interest our good Catholic people. But when I have to go to the altar and sing High Mass or a Requiem, and I know that I cannot read a note of the Preface and the ‘Pater Noster’, I feel like going to martyrdom. Yet the notes are right there before my eyes, but they seem to mock my ignorance.”

— From a 1920 article by Very Rev. Leo P. Manzetti

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