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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Five ways to print the Propers

Veronica Brandt · July 11, 2015

Albion Press 1830s HE GREGORIAN CHANT PROPERS of the Roman Rite are treasures of inestimable value and so readily available. That is not to say they are easy, but the main difficulties can be 1, knowing which pieces to use when and 2, reading and interpreting the music.

In the first difficulty the easiest answer is to ask the priest who will be celebrating Mass. The second is dealt with in more detail at How to Read and Sing Gregorian Chant – eleven lessons to get you started.

Ideally choir members would do well to have their own copy of the Liber Usualis or the Liber Brevior, and know how to use them. Failing that, the person encouraging them to learn the propers can smooth the way for singers by printing copies of the propers. These can be annotated to your heart’s content.

Five different ways to print the propers:

FIRSTLY you can download and print the propers from Rene Goupil Propers here on Corpus Christi Watershed. This is mainly for Sundays. Just scroll down the desired day and download the scores as needed. This also has recordings of all the music – an amazing resource!

SECONDLY there is another similar collection at the Institute of Christ the King. As above, this one is mainly for Sundays. The main difference is that they lack translations and the music tends to be a little larger.

THIRDLY you could download and print from scans of the Liber Usualis. This may require a little more work, but has all the music you need for the majority of Missa Cantatas.

FOURTHLY you could avail yourself of the Propers Tool. The drop down menu has a list of Sundays to choose from, but also a Custom option at the bottom of the list which allows you to choose the exact piece you require for any day of the year. The default setting is to print everything on one page. This also has the added facility to reduce tunes down to psalm tones for any challenging antiphons.

LASTLY, there is GregoBase. This is a collection of all the chant from the Graduale Romanum and Liber Usualis in a database that permits volunteers to correct any discrepancies in transcription. The most straightforward way to find what you need is “by incipit” or the first few words of each piece you need. Each piece is available in a few different formats. The png format is handy for inserting into word processor files to make your own booklets.

There you have five ways to print the Latin Gregorian Chant propers for the Extraordinary Form of the Mass. I hope it makes the task of bringing the Propers to life a little less daunting.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

By far, the event that caused the biggest increase in requests for indults from the morning Mass requirement was the Second World War. The unusual requirements of providing Mass during wartime led to some unique legislation accommodating the time of Mass. Already in 1940, Pope Pius XII issued a motu proprio addressing the situation of holding Mass in countries where a “Black-out” had been ordered.

— Father Shawn P. Tunink

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