Views from the Choir Loft

Patience, Patience, Patience

Dr. Lucas Tappan · February 5, 2015

OR SEVERAL WEEKS I stood in front of fourteen probationers during our weekly rehearsal. (Yes, that is too large a group, but more about that in another post.) This lively bunch of 8 boys and 6 girls had been working hard, but knew they were nearing break time—the rehearsal is 2 hours long with a 10 minute break in the middle—and of course a couple of boys were getting restless. (What boy wouldn’t in an after school rehearsal like this, right?)

I decided to take a moment to teach a lesson as well as impart some culture before the really important stuff—like snack time—began. I started recounting a story from Hillaire Belloc’s Cautionary Tales for Children ¹ about a boy named Jim and the importance of listening to those in authority. I barely had time to tell them about “Jim, who ran away from his nurse” when a little girl got so excited that she stammered, “and, and…and he was eaten by a lion.” Right afterward a boy mentioned another story he knew out of the same book and now all the kids were talking and laughing. It wasn’t long before I had lost all control—time for break! True, my plan didn’t work, but at least they knew about Hillaire Belloc; I guess Catholic culture isn’t completely dead!

I bring this up because before you ever begin working with children you must realize that while it is fun, it can be overwhelming at times. I have known people who began teaching music in the class room and within a couple of years decided they would rather work for a bank. So, I tell you Patience, Patience, Patience in Adversity. You will make it in the end!

Lastly, as I begin blogging here, I have decided to make two weekly posts: one around Monday that will deal with the practical aspects of children’s choirs and choir schools in general; and one around Thursday dealing with the practical aspects of sight-singing and ear training. I hope you enjoy reading them as much as I enjoy writing them.

NOTES FROM THIS ARTICLE:

1 If you have never read these stories, read them with your children TONIGHT! They make for great, very politically incorrect bed time reading

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

Simplified Accompaniment (Easter Hymn)

Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.

—Jeff Ostrowski

PDF Download • “Quasi Modo Sunday”

The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.

—Jeff Ostrowski

‘German’ Introductions for Hymns

German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!

—Jeff Ostrowski

PDF Download • “Anima Christi”

I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.

—Jeff Ostrowski

PDF • “Liturgical Law” (467 Pages)

On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!

—Jeff Ostrowski

“Gregorian Chant Quiz” • 24 March 2026

How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!

—Jeff Ostrowski