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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Permission Needed to Replace the Propers?—(2 of 7)

Veronica Brandt · February 21, 2015

WHO Unicef Infant Feeding HE CHASM between the documents of the liturgical renewal and their implementation has always been fascinating to watch, though rather saddening when viewed from the pew. There is a disconnect between the theory and the practice and this has been the case to varying degrees for a long time.

It makes sense that there may be an ideal of which we are permitted to fall short, but it is the ideal which should guide our efforts and help keep us united, working together for the common good.

So here is the quote from the General Instruction on the Roman Missal section 48:

The singing at this time is done either alternately by the choir and the people or in a similar way by the cantor and the people, or entirely by the people, or by the choir alone. In the dioceses of the United States of America there are four options for the Entrance Chant: (1) the antiphon from The Roman Missal or the Psalm from the Roman Gradual as set to music there or in another musical setting; (2) the seasonal antiphon and Psalm of the Simple Gradual; (3) a song from another collection of psalms and antiphons, approved by the Conference of Bishops or the diocesan Bishop, including psalms arranged in responsorial or metrical forms; (4) a suitable liturgical song similarly approved by the Conference of Bishops or the diocesan Bishop

Which clearly gives four options:

• The antiphon from the Roman Missal or the Psalm from the Roman Gradual;|
• The seasonal antiphon and Psalm of the Simple Gradual;|
• A song from another collection of psalms and antiphons approved the the Conference of Bishops;|
• A suitable liturgical song similarly approved by the Conference of Bishops

And it is this last dot point which has become the default. Except now we find that the approval has been assumed rather than specifically given. So instead of reaching the ideal at the top of the list, we’re not even hitting the point at the bottom of the list.

This reminds me of a similar situation in the world of breastfeeding advocacy. The World Health Organisation and UNICEF have provided a document with clear guidelines for addressing the chief sources of malnutrition and infant mortality. This is a global recommendation—all countries want healthy children—but the most crying need is seen in the developing world.

The Global Strategy for Infant and Young Child Feeding, point 18 states:

The vast majority of mothers can and should breastfeed, just as the vast majority of infants can and should be breastfed. Only under exceptional circumstances can a mother’s milk be considered unsuitable for her infant. For those few health situations where infants cannot, or should not, be breastfed, the choice of the best alternative—expressed breast milk from an infant’s own mother, breast milk from a healthy wet-nurse or a human-milk bank, or a breast-milk substitute fed with a cup, which is a safer method than a feeding bottle and teat—depends on individual circumstances.

So that boils down to five options:

• Milk from own mother by breastfeeding;|
• Milk from own mother, expressed;|
• Milk from a wet-nurse; or|
• Milk from a milk bank; or|
• Breastmilk substitute fed by cup.

But the default has widely become a breastmilk substitute (aka infant formula) fed by bottle. So again, we’re failing the ideal and not even hitting the bottom bullet point.

There are similarities in the path to this situation too. In both cases there was a assumed air of superiority of the “new way” of doing things. The old way was considered irrelevant to the modern generation.

In both cases a whole culture was lost. Both require ongoing research and education to recover the skills needed to aim for the ideal. We are so far gone that just telling people what they should be doing is inadequate. They lack the skills to reach the ideal or even understand what is required to attain those skills.

In both cases there are economic interests hampering the attainment of the ideal.

In both cases we risk alienating the very people we are trying to help by insisting on the ideal without giving the groundwork necessary for grasping the situation.

Folk Hymns for the Now Generation WE HAVE A LONG ROAD AHEAD. We can dream about those in authority suddenly exercising government and setting the institutions on the right track. We hear about isolated cases of this going into practice to good effect. But for the majority of people on the ground, the first step is to educate ourselves, our families and the circles we do have influence with.

If people can experience the beauty of the Mass celebrated with the full complement of texts, then the extra hymns will recede into the background. The congregation can still enjoy a rousing recessional hymn. There may be time for a Eucharistic hymn after the Communion antiphon and psalm.

Maybe the “Folk Hymns of the Now Generation” can become the new form of the old “sing-a-long around the piano” – a nostalgia trip enjoyed in the home or parish hall.

This article is part of a series:

Part 1 • Richard Clark

Part 2 • Veronica Brandt

Part 3 • Andrew Leung

Part 4 • Dr. Lucas Tappan

Part 5 • Andrew Motyka

Part 6 • Cynthia Ostrowski

Part 7 • Aurelio Porfiri

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hilgartner 20 November 2012, Hymns Replacing Propers Last Updated: October 15, 2022

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

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