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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Elvis Presley, Offertory Processions, & “Alius Cantus”

Jeff Ostrowski · February 2, 2015

384 Offertory Procession 1940s ACK IN 2013, we uploaded the complete 1965 Missal, which has generated a considerable amount of interest among those seeking to understand the reformed rites. I was recently made aware of an incredible video which shows an “Offertory Procession” from the 1960s:

      * *  Video • Elvis Presley & 1965 Missal

I’m not kidding. Click the link to see for yourself.

If you scroll down, you’ll see that Offertory processions and “versus populum” were started before the 1960s in some locations. Progressive liturgists of the 1940s justified processions at the Offertory because “the rubrics don’t specifically say they cannot be done.” However, when today’s priests try to reintroduce more traditional practices by means of “mutual enrichment,” these same liturgists complain. A double standard appears to be at work…

In any event, I would say three things about this video: *

1. A most destructive force at work after the Second Vatican Council has been a “loophole” which allows musicians to substitute alius cantus congruus (“anything else appropriate”) for the official Propers assigned by the Church. Only recently have books such as the Jogues Pew Missal made the official texts accessible to congregations. Hopefully more parishes will consider using these assigned texts (in English or Latin).

2. People justify alius cantus congruus in the name of “people participating at Mass.” They fail to realize that when you replace the official texts and sing something else—like Elvis did in that video—you’re no longer participating at Mass the way the Vatican II fathers desired.

3. Everything says something. Everything. If we eliminate the Mass Propers, we must replace them with something. Therefore, we cannot fault Elvis for what he did in that video.

376 Facing the People 1954 377 Facing the People 1965 378 Facing the People 1947 379 Facing the People 1965

P.S.

Based on a quick Google search, I assume the video clip comes from a movie I’ve never seen called Change of Habit. Obviously, a film is not real, but in this case, it gives us a glimpse into what was happening in some Catholic Churches during the 1960s.




NOTES FROM THIS ARTICLE:

*   Regarding number 1, the GIRM says any substitute texts must be approved by the local bishop. The USCCB Committee on the Liturgy—in clear contradiction to the GIRM—declared that this requirement can be ignored. However, several Canonists have said the USCCB does not have the power to overrule the GIRM, and official replies by the Pontifical Commission for the Interpretation of the Code of Canon Law support this view.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1965 Missal, Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (13 December 1564)

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