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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Elvis Presley, Offertory Processions, & “Alius Cantus”

Jeff Ostrowski · February 2, 2015

384 Offertory Procession 1940s ACK IN 2013, we uploaded the complete 1965 Missal, which has generated a considerable amount of interest among those seeking to understand the reformed rites. I was recently made aware of an incredible video which shows an “Offertory Procession” from the 1960s:

      * *  Video • Elvis Presley & 1965 Missal

I’m not kidding. Click the link to see for yourself.

If you scroll down, you’ll see that Offertory processions and “versus populum” were started before the 1960s in some locations. Progressive liturgists of the 1940s justified processions at the Offertory because “the rubrics don’t specifically say they cannot be done.” However, when today’s priests try to reintroduce more traditional practices by means of “mutual enrichment,” these same liturgists complain. A double standard appears to be at work…

In any event, I would say three things about this video: *

1. A most destructive force at work after the Second Vatican Council has been a “loophole” which allows musicians to substitute alius cantus congruus (“anything else appropriate”) for the official Propers assigned by the Church. Only recently have books such as the Jogues Pew Missal made the official texts accessible to congregations. Hopefully more parishes will consider using these assigned texts (in English or Latin).

2. People justify alius cantus congruus in the name of “people participating at Mass.” They fail to realize that when you replace the official texts and sing something else—like Elvis did in that video—you’re no longer participating at Mass the way the Vatican II fathers desired.

3. Everything says something. Everything. If we eliminate the Mass Propers, we must replace them with something. Therefore, we cannot fault Elvis for what he did in that video.

376 Facing the People 1954 377 Facing the People 1965 378 Facing the People 1947 379 Facing the People 1965

P.S.

Based on a quick Google search, I assume the video clip comes from a movie I’ve never seen called Change of Habit. Obviously, a film is not real, but in this case, it gives us a glimpse into what was happening in some Catholic Churches during the 1960s.




NOTES FROM THIS ARTICLE:

*   Regarding number 1, the GIRM says any substitute texts must be approved by the local bishop. The USCCB Committee on the Liturgy—in clear contradiction to the GIRM—declared that this requirement can be ignored. However, several Canonists have said the USCCB does not have the power to overrule the GIRM, and official replies by the Pontifical Commission for the Interpretation of the Code of Canon Law support this view.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1965 Missal, Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

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“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

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