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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“What Must Be Sung Is The Mass” • Susan Benofy

Jeff Ostrowski · February 16, 2015

274 St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual USAN BENOFY of Adoremus Bulletin published an article for the February 2015 edition called: What Must Be Sung Is The Mass. She begins with an important quote from Bugnini’s Consilium about the importance of singing the Propers. She continues:

“For decades there were virtually no musical settings for the Propers in English. And some of the Proper texts still have no officially approved English translation. In the last few years, however, there has been increasing interest in setting the Proper texts to music.”

In her article, Susan includes information about the Jogues Illuminated Missal. Here’s some of what she wrote:

• The Ordinary of the Mass in English and Latin set in parallel columns. This section also contains a large number of full-color illustrations: reproductions of ancient manuscripts of the text and music of the Mass, sacred art, and photographs of various moments in the Mass.

• Readings from the Lectionary for years A, B, and C are included (in English).

• Texts of the processional chants (Introit, Offertory, and Communion) from the Graduale Romanum in both Latin and English. The English text is taken from the Gregorian Missal translation.   [Note: For important reasons.]

• Texts of the chants between the readings are given in both the older and newer forms. The Gradual and Alleluia (or Tract) are given in both Latin and English (Gregorian Missal translation). In addition the Responsorial Psalm (with musical notation for the people’s response) and Alleluia or alternate acclamation used in Lent from the US Lectionary are given in English. Musical settings and organ accompaniment for the Responsorial Psalms and Gospel acclamations can be downloaded or ordered at the website.

• Sequences for Easter, Pentecost, and Corpus Christi are given with the Propers for the day in an English metric text with musical setting. The Latin and a literal translation are given in an Appendix. Musical notation for the Latin text of the Pange Lingua is given in the Holy Thursday section.

• Finally, the text of Benediction for the Blessed Sacrament is included with musical notation for the O Salutaris and the Tantum Ergo. A musical setting of the Ordinary of the Mass is given.


I HESITATE to say anything negative about Susan’s article, but she could have added more resources by visiting this website. Moreover, she said the following about the Revised Grail:

On November 11, 2008, the US Conference of Catholic Bishops approved the Conception Abbey Revised Grail Psalms for use in future editions of US liturgical books, including the Lectionary.

That’s not accurate according to what I’ve been told. It turns out the Revised Grail is going to be revised again! So all the books that currently use that translation—such as GIA Worship IV—are doubtless regretting their effort to get “ahead of the curve.” The question is, what will they call the new version? The “twice revised” Grail? Very confusing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jogues Illuminated Missal Lectionary Gradual Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

Recent Posts

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  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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