Views from the Choir Loft

Chant Workshop for Clergy

Andrew Leung · December 31, 2015

AINT AMBROSE SCHOOL OF CHANT is organizing a Music Workshop for Clergy entitled, Finding your Voice: The Role of the Priest and Deacon and How to Sing with Confidence. The workshop will be held at Our Lady of the Mountains Roman Catholic Church in Jasper, GA. The event will be from 10am to 2pm on January 16. The deadline for registration is January 5.

Fr. Charles Byrd and Bridget Scott will serve as the faculty members for this workshop. I have worked with both of them in the past; they both have great visions and knowledge of the Liturgy and Sacred Music. Fr. Byrd is the current pastor of Our Lady of the Mountains. Before that, he has taught in seminaries and served on Diocesan Liturgy Committee. Bridget Scott has been working as music director for many years, and she is currently serving as the music director of Our Lady of the Mountains and the chant instructor at the Monastery of the Holy Spirit in Conyers, GA. Here is how she describe this upcoming workshop:

Singing the dialogue prayers and chants of the Mass can be so intimidating for some priests and deacons that they are reluctant to do so. Others, may find themselves needing a few vocal tips or pointers to make their sung parts a bit more musical and polished. Still others may just desire to become more proficient in singing the Mass by practicing with others. The purpose of this workshop is to help priests and deacons (and deacons-to-be) to feel confident and comfortable chanting the parts of the Mass that are specifically theirs. Singing or chanting the Mass elevates the texts above mere speech and adds to the solemnity and nobility of our worship. It is a worthy endeavor. Please bring a Roman Missal if you have one.

A lot of people are making their new year resolutions right now. Would chanting the Mass be one of those? If you are not a priest, deacon or seminarian, please forward this to your pastors and friends who might find it interesting.

There will be a $25 fee for this workshop that will cover a lunch and the music packet. More information and the registration form can be found on the website of St. Ambrose School of Chant.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Which Mass?

In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.

—Jeff Ostrowski

Like! Like! Like!

You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.

—Jeff Ostrowski

PDF Download • “Atténde Dómine”

Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski