Views from the Choir Loft

Sing Like the Angels

Andrew Leung · December 21, 2015

ERRY CHRISTMAS! Christmas is upon us and I would like to wish all our readers a blessed Christmas. About two thousand years ago, the angles appeared to shepherds, announcing to them the good news and sang “Glory to God in the highest and on earth peace to those on whom his favor rests”. (Lk 2:8-14, from the Mid-night Mass Gospel) What can we learn from the Holy Angels? There are two things we can learn from the best and most perfect choir.

(1) Deliver the Message – We know from Luke’s Gospel that the angels delivered the good news to the shepherd outside of Bethlehem and the shepherd understood them clearly. Although our choirs on earth might not be perfect, we can all do our best to deliver the message. One way to make sure that messages are delivered is to sing with good diction. Imagine that the angels who spoke and sang to the shepherds mumbled the whole time, the shepherds probably wouldn’t have gone to adore our Lord. Also, when the chant or choral pieces are not in the vernacular, it would be nice if we can help the congregation to understand the text. Do everything you can to get the message across, especially to those who are visiting your parish during Christmas.

(2) Constantly Praying and Praising – Christmas can be a stressful time for church musicians. But it really should be a prayerful time. So, learn from the Holy Angels this Christmas and make every pieces of music a prayer to God. There will probably be quite a few “CEO (Christmas and Easter Only) Catholics” in church who will be “singing at Mass”. But we have to make sure that we sing the Mass. We are not just performing or caroling, but we are singing the Mass itself! Try to understand and even meditate on the texts that you will be singing. This will allow you to pray the texts as you sing and this will also help deliver the message.

Asking for the intercession of the Holy Angels is also a good idea. Through their intercession, may the Lord help us to grow closer to Him, sing joyfully and prayerfully to the world the good news. And as the conclusion of every Preface in the Mass says, may we “join in one voice with all the Angels and Heavenly Hosts” and proclaim the Glory of God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

“Simplified” Keyboard Accompaniment (PDF)

I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” This famous text (by Father Caswall) is often married to AURELIA. I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project.

—Jeff Ostrowski

‘Bogey’ of the Half-Educated: Paraphrase

Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”

—Jeff Ostrowski

Father Cuthbert Lattey • “The Hebrew MSS”

Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”

—Jeff Ostrowski

“Reminder” — Month of November (2025)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski