Views from the Choir Loft

Sing Like the Angels

Andrew Leung · December 21, 2015

ERRY CHRISTMAS! Christmas is upon us and I would like to wish all our readers a blessed Christmas. About two thousand years ago, the angles appeared to shepherds, announcing to them the good news and sang “Glory to God in the highest and on earth peace to those on whom his favor rests”. (Lk 2:8-14, from the Mid-night Mass Gospel) What can we learn from the Holy Angels? There are two things we can learn from the best and most perfect choir.

(1) Deliver the Message – We know from Luke’s Gospel that the angels delivered the good news to the shepherd outside of Bethlehem and the shepherd understood them clearly. Although our choirs on earth might not be perfect, we can all do our best to deliver the message. One way to make sure that messages are delivered is to sing with good diction. Imagine that the angels who spoke and sang to the shepherds mumbled the whole time, the shepherds probably wouldn’t have gone to adore our Lord. Also, when the chant or choral pieces are not in the vernacular, it would be nice if we can help the congregation to understand the text. Do everything you can to get the message across, especially to those who are visiting your parish during Christmas.

(2) Constantly Praying and Praising – Christmas can be a stressful time for church musicians. But it really should be a prayerful time. So, learn from the Holy Angels this Christmas and make every pieces of music a prayer to God. There will probably be quite a few “CEO (Christmas and Easter Only) Catholics” in church who will be “singing at Mass”. But we have to make sure that we sing the Mass. We are not just performing or caroling, but we are singing the Mass itself! Try to understand and even meditate on the texts that you will be singing. This will allow you to pray the texts as you sing and this will also help deliver the message.

Asking for the intercession of the Holy Angels is also a good idea. Through their intercession, may the Lord help us to grow closer to Him, sing joyfully and prayerfully to the world the good news. And as the conclusion of every Preface in the Mass says, may we “join in one voice with all the Angels and Heavenly Hosts” and proclaim the Glory of God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Dom Pothier • Photo from 1904

Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠

—Jeff Ostrowski

PDF • “3-Voice Motet” (Father De Laet)

I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.

—Jeff Ostrowski

“Reminder” — Month of Febr. (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski