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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Benedict XVI Institute Seeks Executive Director

Guest Author · December 14, 2015

937 Benedict XVI HE BENEDICT XVI INSTITUTE seeks a skilled, entrepreneurial, creative, energetic and faithful Catholic with managerial experience to organize and lead the Institute. The Executive Director of the Liturgical Institute is responsible for developing education and formation programs in sacred music and divine worship for musicians, cantors, music directors, lectors and ministers of Holy Communion. The Executive Director collaborates with the Archbishop and Board of Directors and provides leadership to promote excellence in the liturgical life of the Roman Catholic Church.

The Director is the liaison with—and resource for—local churches and beyond the Archdiocese. The Director is responsible for marshaling resources throughout the Archdiocese to develop a program of formation and instruction that promotes excellence in sacred music and worship, while fostering greater reverence in liturgical celebrations. The ideal candidate has training in liturgy, theology, or sacred music with a minimum of two (2) years’ experience in a diocese or parish. This person should possess a strong knowledge of—and commitment to—the Church liturgical norms and the Church’s documents on liturgy as well as a familiarity with sacred music.

RESPONSIBILITIES :

• Serves as the chief operating officer of the Corporation, and so implements the strategic direction as outlined by the Board of Directors through leading and managing the day-to-day activities of the organization

• Develops programs that are attractive to parishes in the Archdiocese and which can be readily adapted by other parishes outside the Archdiocese

• Provides structures through which diocesan liturgy personnel may contribute responsibly and effectively in articulating the voice of clergy, religious, and laity in the development of liturgy

• Implements liturgical directives issued by the Holy See and adapted to local circumstances as directed by the Board of Directors

• Sees to the development, implementation, and accomplishment of the organizational goals and plans as approved by the Board of Directors

• Monitors and evaluates all business activities and reports progress to the Board of Directors

• Exercises leadership to staff in the development and implementation of short and long term plans, policies and other activities

• Oversees accounting functions and processes

Qualified applicants should send résumé, cover letter, and references to:

      schmidtp@sfarch.org


ABOUT THE EMPLOYER :

The Benedict XVI Institute in the Archdiocese of San Francisco will educate Church musicians about sacred music and train lay ministers for their role. The Benedict XVI Institute is based at St. Patrick’s Seminary in Menlo Park, Ca.

Archdiocese of San Francisco
Patrick Schmidt, Associate Director of Human Resources.
1 Peter Yorke Way
San Francisco, Ca 94109

    * *  Read more HERE.


We hope you enjoyed this guest article by John Horton.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

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  • “In Paradisum” • Gregorian Chant

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