• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Understanding the Sacred

Andrew Leung · December 10, 2015

CTL Understanding the Sacred 1 HE YEAR OF MERCY has officially begun this Tuesday on the Solemnity of the Immaculate Conception. And there has been a few events happened in the Vatican this week. I am really troubled by two of those. Usually, I try to write positively and say nice things, but these two things really upset me. So, please forgive me for writing out my complains here.

A light show was held in St. Peter’s Square on Tuesday night. Photographs were projected onto the façade and cupola of Saint Peter’s Basilica. These illuminations were supposed to present images inspired of mercy, of humanity, of the natural world, and of climate changes. The goal sounds pretty nice and cool, doesn’t it? I saw those images, they are really nice. But here is the problem: it is a sacrilege!

St. Peter’s Basilica is the heart of the Roman Catholic Church, a Papal Basilica that is blessed and consecrated to God. The church building itself is sacramental and sacred. It is also the tomb of St. Peter and many other saints and popes. And people used it as a projector screen. Just think about how ridiculous that is! Yes, those are nice pictures of God’s creatures, but those are also animals. We don’t bring animals to church! We human beings are designed in the image of God, with will and intellect, and we may choose to worship God. That is why we build churches, sacred and sacramental buildings, for the Liturgy. Churches are set apart from the rest of the buildings for us, human beings, to worship God and God alone. The reality is that these animals don’t belong there.

I also saw on the internet some pictures of similar projections on some other churches and cathedrals around the world. Most of them have protections of religious images. I am not sure what the goals are for those projections. Maybe they are using these images to decorate the outside of the church, or maybe the images will attract more people to the church. But I don’t think these goals can be an excuse of treating churches as projector screens. It’s not that hard to set up a screen outside the church. If they want to make the churches look nicer, why don’t they start building new churches that actually look beautiful. Maybe we can stop worshiping inside spaceships and rockets first!

Another danger of having these images projected to churches is that it will be impossible to control what will be projected in the future. Now people are projecting religious pictures and image or the nature, but who knows what kind of “arts” will be projected onto our churches in the future. This also leads to the second thing that troubles me.

CTL Understanding the Sacred 2 AM SURE that you have all seen the official logo for the Year of Mercy. If not, you can take a close look at it on my other post about the Year of Mercy. During the Opening Mass of the Jubilee Year, this image was printed on the Book of the Gospel and hung over the main door of St. Peter’s Basilica. This image borders me a lot and I am sure it borders many other people too. It is literally two men with three eyes. If you ask a young child what they see in the picture, they will probably give you that exact answer. The only “man” I know that has three eyes is a god from the Chinese legend. Why must artists design things that are weird and cannot be appreciated by everyone? Well, it’s sad that this picture has been chosen and we are going to see it hung around churches for the rest of the Jubilee Year.

Sacred Art and Sacred Music, like Sacred Architecture, should be holy; that is set apart from other art and music. Sacred Art and Sacred Music need to be objectively beautiful and universal, so that everyone can appreciate them; so that they can reflect the beauty and glory of God; and bring people closer to Him.

I think we, the Church, still have a long way to go in understanding the Sacred. But we must not loss hope and we must keep praying. I found this prayer online, not quite sure who wrote it, but it is perfect.

O Jesus, Thou the beauty art Of Angel worlds above! Thy Name is music to the heart, Enchanting it with love! Celestial sweetness unalloyed! Who eat Thee hunger still, Who drink of Thee still feel a void Which naught but Thou can fill! O my sweet Jesus! hear the sighs Which unto Thee I send! To Thee my inmost spirit cries, My being’s hope and end! Stay with us, Lord, and with Thy light Illume the soul’s abyss; Scatter the darkness of our night And fill the world with bliss. O Jesu! spotless Virgin flower! Our life and joy! to Thee Be praise, beatitude and power, Through all eternity! Amen.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Indeed I might add that although unfamiliar with it myself, the Extraordinary Form expressly reminds us that Mass in either form is not merely a communion meal but a ritual of love, a sacrifice at Calvary, by which, for you and for me, yes, here and now, Jesus Christ lays down his life.

— ‘Most Rev. Philip Egan, Bishop of Portsmouth’

Recent Posts

  • Exclusive Interview • Hannah Houston w/ Mæstro Richard J. Clark
  • Job Opening • $65,000 per year +
  • “Reminder” — Month of November (2025)
  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.