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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My Response To “Should Church Singers Be Paid?”

Jeff Ostrowski · August 4, 2015

439 paid singers stained glass ACK IN APRIL, I promised to write about the subject of paying singers at Church. At that time, I carefully avoided revealing my thoughts on the matter. Nevertheless, I received an avalanche of emails, with a few attacking me personally. Some were angry I had condemned paid singers, while others criticized me supporting paid singers. In fact, I made neither statement.

A great theologian has written:

There’s nothing wrong with paying singers at Mass. It is simply a recognition of the fact that a professional singer (or section leader) has a special role to play in the total event of a MISSA CANTATA, which deserves a special acknowledgement according to the Gospel: Dignus est operarius mercede sua (I Tim 5: 18).

I agree, but there’s more to the story…

EACH CHOIRMASTER MUST decide for himself the best course of action. During my career, I’ve worked with paid singers and volunteers. Everyone knows the challenges that can arise with volunteers, but did you know paid singers can also bring problems? In my experience, when singers are paid, it can (sometimes) be difficult to ascertain if they’re attending Mass for the right reasons. Moreover, feelings of jealousy can grow in the other singers’ hearts. 1

Some will think me a fool, but I prefer not to rely on paid section leaders. My preference is to find parishioners who already attend Mass for the right reasons, training them. If I had paid section leaders, the non-paid singers might feel “extra,” whereas the paid singers are all that’s necessary. Our current arrangement causes me sleepless nights filled with worry—it’s true—but in my humble opinion the singers appreciate being needed. 2

If I were to employ paid singers again—and I reserve the right to change my mind!—I would do so through an established program. I would avoid making statements like one I’ll never forget, directed at a section leader whose attendance was poor: “Remember, if you don’t show up on Holy Thursday, you won’t get your $40.00.” It would be understood that section leaders receive a stipend provided in a subtle, equitable, and dignified manner. 3

When the lights break in the church, we pay an electrician. Priests, of course, are always paid (salary, health insurance, living expenses, cost of transportation, and so on). Organists, too, are generally paid, which I think is appropriate. Yet, in all my years serving as an Altar Boy—acolyte, thurifer, torchbearer, and master of ceremonies—I only remember getting paid once: for a funeral. I suppose much depends on local custom.



NOTES FROM THIS ARTICLE:

1   With regard to paying the choirmaster, I have no issue with this, but I also worked for years as a volunteer choirmaster & organist. Justice would seem to demand compensation in this case, since preparing for Sunday can easily require 40+ hours of hard work each week.

2   I recall sharing my views while serving on a discussion panel in front of an audience. One of my colleagues muttered something like, “It’s a pity you don’t hold your choir to the highest standards.” However, one can still have high standards while following the program I’ve outlined, where volunteer singers are found in one’s parish. Furthermore, if there’s excess money, it could be spent on other things that would improve the sacred music, such as hiring a music teacher for children in the parish. In short, I disagree with that panelist’s statement.

3   I once worked at a large parish where the administration constantly forgot to pay me. Twice or thrice each month I was forced to beg the secretary for my paycheck; it was truly humiliating. But these same folks somehow consistently remembered to pay the electric bill.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Amid all these old liturgical books, I find that I am happy and at ease; I feel at home.

— Dom André Mocquereau (1884)

Recent Posts

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  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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