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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Society for Catholic Liturgy Conference 2015

Fr. David Friel · August 30, 2015

OR THE 20TH TIME, the Society for Catholic Liturgy will sponsor a conference dedicated to the sacred liturgy. This year, it will be held in New York City and will feature a keynote address by Archbishop Salvatore Cordileone (who was in NYC earlier this year to address the Sacra Liturgia USA conference). Registration is now open.

The theme for this year’s conferece is “The Liturgy: It Is Right and Just.” In addition to his keynote address at the Union League Club (38 East 37th Street) on October 1, Archbishop Cordileone will also celebrate a Solemn Pontifical Mass in the Extraordinary Form on October 2 at 9 AM in the Basilica of St. Patrick’s Old Cathedral (Mott Street, between Prince & Houston). This Mass will feature an excellent, sixteen-voice choir.

The lectures on Friday on Saturday will be given at the Sheen Center for Thought and Culture (18 Bleecker Street). Among the speakers are the following:

Dr. William Mahrt, of Standford University & CMAA President, who will discuss how the various styles and hierarchies of Gregorian chant melodies coordinate with the action of the liturgy

Dr. Michon Matthiesen, of the University of St. Mary, will explore the nature of the act of liturgical worship in terms of the virtue of justice

Fr. Uwe Michael Lang, a priest of the Oratory of St Philip Neri in London, Lecturer in Church History at Heythrop College, and editor of the journal Antiphon, who will assess the central importance of the Last Supper tradition for the shaping of the early Christian Eucharist

The conference will also offer a pastoral track, featuring practical workshops for parish and diocesan personnel. Topics will range from music to art to the ars celebrandi, including the introduction of chant to a parish and the training of altar servers.

As a member of the Society for Catholic Liturgy, myself, I highly encourage those who are able to participate in these three days of learning, prayer, and camaraderie. For more information about the conference schedule, and to register, click HERE.

OUNDED in 1995, the Society for Catholic Liturgy is a unique organization that brings together faithful Catholic scholars and artists from around the world to recover, discuss, and promote the rich liturgical tradition of the Church. The Society holds an annual three-day conference and publishes Antiphon: A Journal for Liturgical Renewal, which deals with important theoretical and practical questions in the fields of liturgy and sacramental theology.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Reform of the Reform, Society for Catholic Liturgy, William Mahrt Gregorian Chant Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“He would lecture early in the morning at St Edmund’s College, perhaps more than once, rush from thence to the British Museum, and toil there intensely for hours, all without a scrap of food, having pledged himself to dine with us.”

— A description of Father Adrian Fortescue

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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