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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cake or Frosting?

Andrew Leung · August 27, 2015

CTL Cake AST WEEK, I posted about the danger of confusing Praise and Worship and the actual Worship, the Liturgy. My post and the article on the LifeTeen blog led to some intense discussions. The discussions were mainly on the meaning of the term “Worship”. The term itself might have different meanings based on different religions and dictionaries. But in the Roman Catholic tradition, it has always meant the Liturgy, that is the Mass, Liturgy of the Hours, Sacraments, Exposition and Benediction. Because of that, the term “Worship” should not be watered down to just any prayer meeting, like praise with guitars and drums.

During our discussion, this following line came up:

I find praise and worship odd when the Blessed Sacrament is not present.

I do not wish to discuss whether praise music should be sung during Exposition and other liturgies because that is not the point of this post. I would like to focus on the sentence above objectively. I have heard similar lines from people many times when I was in Steubenville. I totally understand what my friend was trying to say and some of you might think what I am about to do is just me being too picky. But bear with me.

After I read the line, I felt there is something wrong with it and it is disturbing. I tried to look at the sentence objectively and analyze the structure of the sentence: “praise and worship” is the subject and “Blessed Sacrament” is the object of the line. If the Eucharist is the source and summit, shouldn’t this sentence be reverse? Saying that the Eucharist makes praise and worship better is basically saying that praise and worship is the cake and the Eucharist is the frosting. But the truth is, the Eucharist is the cake, the source and summit, and praise and worship is the frosting, devotion that leads us to Christ.

Now, let’s apply the same idea to Sacred Music and the Liturgy. Sacred Music is the handmaid of the Liturgy. The Liturgy is the cake and Sacred Music is the frosting; Liturgical Music elevates the minds of the Faithful to God and add solemnity to the Liturgy.

OR MANY church musicians, now is the beginning of a new music season. We need to be careful not to reverse the cake and the frosting. We need to remember to “sing the Mass”, but not just “sing at Mass”. We must pray as we sing. It is not a performance, however, nice-looking frosting attracts people and “elevate people’s minds”; quality and certain level of perfection is still required. Similarly, quality and authentic Sacred Music (or as the Church said: Holy, Beautiful and Universal music) will lead people to our Lord.

Now would be a good time to learn or review how to Sing Prayerfully.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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