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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cake or Frosting?

Andrew Leung · August 27, 2015

CTL Cake AST WEEK, I posted about the danger of confusing Praise and Worship and the actual Worship, the Liturgy. My post and the article on the LifeTeen blog led to some intense discussions. The discussions were mainly on the meaning of the term “Worship”. The term itself might have different meanings based on different religions and dictionaries. But in the Roman Catholic tradition, it has always meant the Liturgy, that is the Mass, Liturgy of the Hours, Sacraments, Exposition and Benediction. Because of that, the term “Worship” should not be watered down to just any prayer meeting, like praise with guitars and drums.

During our discussion, this following line came up:

I find praise and worship odd when the Blessed Sacrament is not present.

I do not wish to discuss whether praise music should be sung during Exposition and other liturgies because that is not the point of this post. I would like to focus on the sentence above objectively. I have heard similar lines from people many times when I was in Steubenville. I totally understand what my friend was trying to say and some of you might think what I am about to do is just me being too picky. But bear with me.

After I read the line, I felt there is something wrong with it and it is disturbing. I tried to look at the sentence objectively and analyze the structure of the sentence: “praise and worship” is the subject and “Blessed Sacrament” is the object of the line. If the Eucharist is the source and summit, shouldn’t this sentence be reverse? Saying that the Eucharist makes praise and worship better is basically saying that praise and worship is the cake and the Eucharist is the frosting. But the truth is, the Eucharist is the cake, the source and summit, and praise and worship is the frosting, devotion that leads us to Christ.

Now, let’s apply the same idea to Sacred Music and the Liturgy. Sacred Music is the handmaid of the Liturgy. The Liturgy is the cake and Sacred Music is the frosting; Liturgical Music elevates the minds of the Faithful to God and add solemnity to the Liturgy.

OR MANY church musicians, now is the beginning of a new music season. We need to be careful not to reverse the cake and the frosting. We need to remember to “sing the Mass”, but not just “sing at Mass”. We must pray as we sing. It is not a performance, however, nice-looking frosting attracts people and “elevate people’s minds”; quality and certain level of perfection is still required. Similarly, quality and authentic Sacred Music (or as the Church said: Holy, Beautiful and Universal music) will lead people to our Lord.

Now would be a good time to learn or review how to Sing Prayerfully.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Soloists are dangerous in any church choir! Their voices frequently do not blend with those of the other singers to form a rich, integrated tone.

— Roger Wagner

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