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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Paragraph that Caught Attention

Andrew Leung · August 26, 2015

CTL Fr David Carter 2 AST WEEK, I posted a report on the Summer Sacred Music Workshop in Jasper, Georgia. At the workshop, Fr. David Carter, JCL, presented his paper as the keynote. Fr. Carter is the Pastor and Rector of the Basilica of Sts. Peter and Paul in Chattanooga, Tennessee. He has been singing in choirs since his youth. While he was at the Pontifical North American College in Rome, he studied Sacred Music with Fr. Pierre Paul, OMV, choirmaster of Capella Giulia at St. Peter’s Basilica and Fr. Cassian Folsom, OSB, from the Monastery in Norcia. His talk was entitled: Re-discovery of the Church’s Sacred Tradition: II Kings 22. Here is a paragraph, on his discovery of the Church’s traditions, from his speech:

At first I felt betrayed by all this—why had they kept this such a big secret? Why did they hide this from me? When I expressed my amazement at the riches I was finding in these books and rubrics, I encountered people who were viscerally angry! Angry that I had found joy in our own tradition. Angry that I was ‘undoing Vatican II’; angry that I wasn’t buying what they had spent so much time and effort building.

Didn’t I know how bad the old days were? “No, I don’t. I’m only 35—Marty Haugen and Dan Schutte are the ‘bad old days’ for me! Now I get to sing awesome things like Ambrosian Hymns composed in the 4th century and Kyrie’s that are even more ancient. I get to sing Pange, lingua, gloriosi Corporis mysterium, and Adoro te devote, latens Deitas.”

It still boggles my mind that this was not taught to us as some of the greatest things we would every be able to utter on our lips! And yet here we are. With my own two eyes I have read what the Church asks of us and it is nothing short of truth, beauty, and goodness. How could the Church ask for less? What so many had relegated to the waste bin, I have come to see as some of the greatest treasures the world knows…

Fr. Carter spoke on the mystery in liturgy, the joy of tradition, and his experiences in parishes. He also offered practical wisdom for those who wishes to provide authentically sacred music for the liturgy.The PDF file of his whole paper is available for download:

    * *  PDF • RE-DISCOVERY OF THE CHURCH’S SACRED TRADITION: II KINGS 22

HIS WORKSHOP is just the beginning. More workshops are being prepared for musicians in the South. The St. Ambrose School of Chant on the campus of Our Lady of the Mountains, Jasper, GA, will present a workshop for all those interested in learning the music that is an essential part of the Catholic Funeral Rites on Saturday, October 3rd. The Requiem Chants are some of the most beautiful and profound texts of the Gregorian repertoire and sadly they often go unheard. I will share more about this workshop when more information is released.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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