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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Danger of Praise and Worship

Andrew Leung · August 20, 2015

CTL Praise and Worship FRIEND OF MINE wrote an article for Life Teen recently, entitled: Leading Worship with Purpose – The Temple Model. Even though I am not a big fan of Praise and Worship, I still know a lot about it because I grew up with it and I went to the College in Steubenville. And I was interested in what she has to say. Personally, I don’t think Praise and Worship music is bad. I think it is a good devotion and can be a great way to pray. However, it is not Sacred Music (and to be honest, I have never heard anyone call it Sacred Music, have you?), and therefore should not be used during the Holy Sacrifice of the Mass.

Her “model of worship” is very creative. The way she connect the Temple to Praise and Worship is very interesting. Her suggestion is very practical and I think it will help people to pray better. However, this article also brings up a great danger and confusion. Is “Praise and Worship” really a “Worship”? In the Catholic Church, the only form of prayer that is referred as “Worship” is the Mass. It is very confusing when people start referring Praise and Worship as “Worship”, because IT IS NOT! The title of the article is an example of that.

The same danger came up again when the Temple Worship and Praise and Worship being compared, and creating a sort of “rubrics”. I am glad that the act of sacrifice itself was not mentioned in the article. But I still don’t think it is appropriate to link up Temple Worship and Praise and Worship. The Liturgy of the Eucharist or the Mass of the Faithful is the unbloody sacrifice of the Lamb of God, originated from the Jewish Temple Worship. And this Worship should not be confused with Praise and Worship. Please don’t get me wrong, I am not saying Praise and Worship is dangerous, but confusing it with the Liturgy is dangerous.

Going off my friend’s article, may I suggest that we all sing the Mass following a “Temple Model”? We believe that Old Roman Chant, later became Gregorian Chant, was developed from the Chant they sing in the Temple Worship. The Jews used the Psalter as a hymnal in their Worship, and we should also use ours in the Mass. Ours is a little different from the Jewish Psalter, because scriptures from the New Testament were added to our Official Roman Catholic Hymnal, the Graduale Romanum. By chanting the Propers and Ordinaries of the Mass, we are picking up the “Temple Model”.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Glorious among virgins, high above the stars, thou dost nourish at thy breast as a child him who created thee.” (Fortunatus)

— English translation by Dr. Adrian Fortescue (d. 1923)

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