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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Danger of Praise and Worship

Andrew Leung · August 20, 2015

CTL Praise and Worship FRIEND OF MINE wrote an article for Life Teen recently, entitled: Leading Worship with Purpose – The Temple Model. Even though I am not a big fan of Praise and Worship, I still know a lot about it because I grew up with it and I went to the College in Steubenville. And I was interested in what she has to say. Personally, I don’t think Praise and Worship music is bad. I think it is a good devotion and can be a great way to pray. However, it is not Sacred Music (and to be honest, I have never heard anyone call it Sacred Music, have you?), and therefore should not be used during the Holy Sacrifice of the Mass.

Her “model of worship” is very creative. The way she connect the Temple to Praise and Worship is very interesting. Her suggestion is very practical and I think it will help people to pray better. However, this article also brings up a great danger and confusion. Is “Praise and Worship” really a “Worship”? In the Catholic Church, the only form of prayer that is referred as “Worship” is the Mass. It is very confusing when people start referring Praise and Worship as “Worship”, because IT IS NOT! The title of the article is an example of that.

The same danger came up again when the Temple Worship and Praise and Worship being compared, and creating a sort of “rubrics”. I am glad that the act of sacrifice itself was not mentioned in the article. But I still don’t think it is appropriate to link up Temple Worship and Praise and Worship. The Liturgy of the Eucharist or the Mass of the Faithful is the unbloody sacrifice of the Lamb of God, originated from the Jewish Temple Worship. And this Worship should not be confused with Praise and Worship. Please don’t get me wrong, I am not saying Praise and Worship is dangerous, but confusing it with the Liturgy is dangerous.

Going off my friend’s article, may I suggest that we all sing the Mass following a “Temple Model”? We believe that Old Roman Chant, later became Gregorian Chant, was developed from the Chant they sing in the Temple Worship. The Jews used the Psalter as a hymnal in their Worship, and we should also use ours in the Mass. Ours is a little different from the Jewish Psalter, because scriptures from the New Testament were added to our Official Roman Catholic Hymnal, the Graduale Romanum. By chanting the Propers and Ordinaries of the Mass, we are picking up the “Temple Model”.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Now with the elimination of Latin, the choirs that performed the treasures of sacred music are dying. Someone remarked that the study of sacred music is the history of its disappearance. In place of the authentic music demanded by the Vatican Council, all kinds of secular forms and inferior dance and combo music are heard.”

— Monsignor Richard J. Schuler (1971)

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