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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Thoughts on the “Hymn” for the Year of Mercy?

Andrew Leung · August 13, 2015

CTL Year of Mercy FRIEND OF MINE posted a link about the Holy Year of Mercy on my Facebook yesterday. The Vatican just released the official hymn for the Year of Mercy on August 6. Misericordes sicut Pater by English composer Paul Inwood was chosen by a committee. Inwood and 89 other composers around the world participated in the competition sponsored by the Pontifical Council for the Promotion of the New Evangelization.

The name of the piece, Misericordes sicut Pater, is from Luke 6:36. It is also the motto for the Jubilee: Be merciful, just as your Father is merciful. The text was written by Jesuit Father Eugenio Costa. The piece has been released in Italian, French and English, with the refrains and antiphons in Latin. The full English score can be found here. This is the official English text from the Vatican website:

Misericordes sicut Pater! Misericordes sicut Pater!

1. Give thanks to the Father, for He is good in aeternum misericordia eius
He created the world with wisdom in aeternum misericordia eius
He leads His people throughout history in aeternum misericordia eius
He pardons and welcomes His children in aeternum misericordia eius

2. Give thanks to the Son, Light of the Nations in aeternum misericordia eius
He loved us with a heart of flesh in aeternum misericordia eius
As we receive from Him, let us also give to Him in aeternum misericordia eius
Hearts open to those who hunger and thirst in aeternum misericordia eius

Misericordes sicut Pater! Misericordes sicut Pater!

3. Let us ask the Spirit for the seven holy gifts in aeternum misericordia eius
Fount of all goodness and the sweetest relief in aeternum misericordia eius
Comforted by Him, let us offer comfort in aeternum misericordia eius
Love hopes and bears all things in aeternum misericordia eius

4. Let us ask for peace from the God of all peace in aeternum misericordia eius
The earth waits for the Good News of the Kingdom in aeternum misericordia eius
Joy and pardon in the hearts of the little ones in aeternum misericordia eius
The heavens and the earth will be renewed in aeternum misericordia eius

Misericordes sicut Pater! Misericordes sicut Pater!

HERE IS ONE THING I don’t quite understand: why is this piece an “official hymn”? Why can’t it be an “official song”? This song is really not a hymn! It is a Litany! I would have to admit that this piece is the best one I have heard by Inwood. And this Litany is definitely more dignified and worthy for the Liturgy than Center of My Life. But it is still not my favorite. What do you think?

I do think the Sistine Chapel Choir sounds much better than a few years ago.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“No official approbation is required for hymns, songs, and acclamations written for the assembly.”

— Statement by the “Bishops’ Committee on the Liturgy” (10-NOV-1996)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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