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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Can You Love Liturgy Too Much?

Jeff Ostrowski · April 6, 2015

061 Tenebrae OLY WEEK with the FSSP here in Los Angeles was unforgettable. The Easter Vigil, which began at 11:00pm, was conducted in complete darkness (until the Gloria), except for the light of candles. The darkness helped our minds focus. As the Exsultet was being sung, these words caught my attention:

“O inæstimábilis diléctio caritátis: ut servum redímeres, Fílium tradidísti!”
The precious favor of Thy love delivered up to death Thine only Son to buy back a slave’s life.

Giving up one’s child can only be fully appreciated by a parent, and this hit me like never before. Moreover, I began to feel utterly unworthy to be in God’s presence. In a few moments, I would enter the Sanctuary—along with another cantor, both of us wearing cassock & surplice—kneel down, and begin leading the Litany of the Saints. I was quite uncomfortable entering the Sanctuary; I would have preferred to hide under a rock.

At that moment, I realized the Liturgy is a type of SHIELD, helping us approach God without being obliterated by His Purity. Nothing we sinners can do will “earn” our salvation according to strict justice. Yet, fulfilling our role in the liturgy—praising God according to the ancient rites of the Church—is pleasing to Him, and this gave me comfort. I did not run from the Church; I sang the Litany as best I could.

According to Rocco Palmo, someone associated with the Congregation for Divine Worship recently intimated they will take the following approach to liturgy:

“Go by the book. Don’t make a fuss about it. And remember that liturgy’s always a means to an end—not an end in itself.”

Anyone with a rudimentary theological knowledge understands that liturgy is not an end in itself. 1 On the other hand, we ought to pay careful attention to the liturgy and perform our actions as perfectly as we can.

I USED TO ASSUME THAT ANYONE who denigrates the Traditional Latin Mass de facto had evil intentions. In recent years, I’m more inclined to think it’s a misunderstanding. Those who have little experience with the Extraordinary Form often characterize things in way I find utterly perplexing. They’ll take innocent actions—such as receiving Holy Communion kneeling or wearing traditional Church vestments—and explain them in ways I never imagined after decades of attending the EF. It reminds me of the comedian who explained the etymology of MANKIND by breaking it into fundamental parts: “mank” and “ind.”

Consider the words of Msgr. Francis Mannion, who has been horrified 2 to observe the resurgence of the Traditional Mass:

“I must say that having attended a number of Tridentine celebrations in recent years, I have been left with the impression that it is the ritual—rather than God—who is being worshipped. There can be a kind of idolatry here.”

Imagine a young boy wishing to please his father by carefully polishing his shoes. Is it really “idolatry,” or is it a child showing love to the parent? More than 1,200 people attended our EF Holy Week services; I would be reluctant to accuse a single one of idolatry.



NOTES FROM THIS ARTICLE:

1   Traditionally, Catholics use the acronym “TARP” to remember the four ends: Thanksgiving, Adoration, Reparation, and Petition. Bishop Fulton J. Sheen has reminded us that “TARP” comes close to matching the order of importance, too!

2   To be fair, many critics of the Extraordinary Form went to the seminary at a time when the Old Testament was deëmphasized and are, therefore, unaware of the “ritualism” (to use one of Msgr. Mannion’s favorite words) of the Jewish ceremonies.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Young people have entrusted me with their absolute preference for the Extraordinary Form… […] But, above all, how can we understand—how can we not be surprised and deeply shocked—that what was the rule yesterday is prohibited today? Is it not true that prohibiting or suspecting the Extraordinary Form can only be inspired by the demon who desires our suffocation and spiritual death?”

— Cardinal Sarah to Edward Pentin (23 September 2019)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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