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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pastoral Plan (Part 1 of 2)

Andrew Leung · April 30, 2015

CTL Pastoral Plan FEW WEEKS AGO, I had a chance to meet the Archbishop of Atlanta at a deanery meeting for the Archdiocese Pastoral Plan. His Excellency Archbishop Gregory explained his pastoral plan and answered some questions from priests and staffs from different parishes. As a music director, my mind started thinking, of course, about the implementation of the Plan in the music area of the parish.

The Pastoral Plan was finally released to the public last week. There are four main points in the Plan:

(1) Knowing Our Faith;|
(2) Living Our Faith;|
(3) Spreading Our Faith;|
(4) Evolution of Our Parishes.

Here are the explanations of the four points and my thoughts about how to implement them to a parish music program.

Knowing Our Faith — This is the first and basic step to “be a Catholic”. We have to discover and understand our faith. We must know what we believe in! As I contemplated on this first point and tried to relate it to my parish music program, the word “Catechesis” came to my mind. As I mentioned before, liturgical catechesis is very important and it helps us to understand the Liturgy and to participate more deeply. Teaching people the importance of music in the Liturgy and the basic Church teachings on Sacred Music is the first step to build a successful program. It is the key to have a congregation that sings loud and proud. Liturgical catechesis should also be given as a formation to choir members. As church musicians, we need to make sure that we are prepared and understand the spirit of the Liturgy, so we can lead others to God through the Sacrifice of the Mass.

Living Our Faith — Once we know our faith, we need to live out our faith in our daily lives. We can express our faith by having a good prayer life, reaching out to the poor, living a virtuous life, fighting for the good moral values, etc. From the liturgical musician’s perspective, we live out our faith through our singing and our service to the Church. This is the more technical part of music. For example, we learnt that the Church asks that all liturgical music to be “true art”. So, we practice on our own and rehearse with other members in the choir so that we can sing or play beautifully. Latin is the Church’s language and most of us can’t speak or understand it fluently, so we learn the text with the help of translations and understand what we sing. To make quality music and to pray through it is how musicians can “live our faith”.

For our brothers and sisters in the pew, the implementation of the second point would be to learn the responses and the ordinaries of the Mass, to sing the hymns and praise God in the Liturgy, engage in prayer and meditation while the chants or polyphonies are sung. Participating in our liturgical roles actively is definitely a way to live out our faith.

Point 3 and 4 will be discussed in my next post

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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