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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Brave Schola Director Posts “Live” Recording • Part 2

Jeff Ostrowski · April 27, 2015

871 Altar Cards Traditional Latin Mass ITHOUT QUESTION, the hardest thing about singing in a choir is also the most beneficial thing. Sooner or later, you must place a recording device near the Altar and find out how your choir actually sounds.

Most people think singing is easy. On paper, it seems easy. In fact, it’s incredibly difficult. Moreover, the first time you record a “live” Mass, you will probably be very discouraged. It’s like having a bucket of cold water thrown in your face. Yet, as I said, there’s nothing more beneficial.

I’ve mentioned in the past that many on the internet love to criticize and pontificate; but these same people are too afraid to post “live” recordings of their choirs (if they even direct a choir). They realize that if they do, people will rip them to shreds. As I said, singing is very difficult. It’s much easier to hide on the internet, disparaging the efforts of others.

Below is a “live” recording of our choir singing at yesterday’s Mass. Coming from immediately after the Consecration, it begins with chant and then launches into Palestrina: 1

    * *  Mp3 Download • “Live” Recording From Last Night

It was recorded by a tiny microphone near the Altar, behind a marble pillar. As you can hear, there are some balance issues, but these can be corrected as time goes on. Our 100% volunteer choir began singing in Advent. Since that time, we’ve never had the same exact group of singers show up two Sundays in a row. This makes it more challenging to correct balance issues, but I’m sure we’ll get there eventually. Our Masses currently happen Sunday evening, and not everyone can attend; but this will change whenever we obtain a Church of our own—we are the newest parish in Los Angeles.

I need to hurry up and continue making progress, because my time as director is limited; eventually the choir will notice I don’t know what I’m doing!



NOTES FROM THIS ARTICLE:

1   The score can be downloaded as a PDF by going to this website; look for the SANCTUS.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: FSSP Los Angeles New Parish Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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